The best Ilse Steppat’s drama movies
Today we present the best Ilse Steppat’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ilse Steppat’s movies.
The Rats
6.7/10
After the fall and before the wall.
The Eighth Day of the Week
7.1/10
Polish writer/director Aleksander Ford's Eighth Day of the Week takes an astonishing anti-Communist stance--the first of many that would compel Ford to leave his homeland after a general governmental crackdown on personal expression in 1968. Zbigniew Cybulski and Sonja Ziemann play a married couple who fall through the cracks of Red bureaucracy in Warsaw. The film does not endeavor to preach, merely to present a matter-of-fact glance at how little the individual matters when confronted with mountains of red tape. Upon its completion in 1958, the government refused to allow Eighth Day of the Week to be shown in Poland; it would not been seen anywhere until its European release one year later.
Confessions of Felix Krull
6.8/10
Thomas Mann's witty and intimate story of a irresistible scoundrel.
Winter in the Woods
4.6/10
A drama directed by W. Liebeneiner.
The Bridge
7.4/10
This is the directorial debut of Artur Pohl and tells the story of war refugees as they try to settle in a small town in Germany.
Hanna Amon
5.9/10
Hanna Amon and her brother Thomas live on an estate they've inherited from their parents. Local veterinarian Brunner loves Hanna from afar, and Thomas is in love with the daughter of the local mayor. Love, however, doesn't always mean happiness, as both Hanna and Thomas are soon to find out.
À belles dents
4.6/10
An orphaned young woman goes to Paris looking for work and love. Working as an au-pair, she is discovered by a fashion photographer and becomes a model. She falls in love with an architect but leaves him to marry a rich man.
Der dunkle Stern
8.8/10
Marriage in the Shadows
7.2/10
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
Madeleine Tel. 13 62 11
5.2/10
Karin (Eva Bartok) is a brilliant student whose good looks give her an added advantage in assuming the role of a prostitute and exploring Berlin's thriving sex industry. Hired posthaste by nefarious Madame Clavius, the pretty blonde sets about gathering information for her thesis when she discovers that her old friend Madeline has been financing her luxurious lifestyle by working as a call girl in the very same brothel. The situation turns sinister when Madeline reveals to Karin that she has fallen in love and longs to start a new life, but any girl who tries to leave Madame Clavius soon turns up dead. When Madeline admits to considering suicide, Karin hatches a plan for both of them to make a clean break from the brothel and avoid Madame Clavius' deadly wrath.
When Worlds Collide
9/10
The Blue Swords
7.1/10
The story of Johann Friedrich Böttger, an apothecary’s apprentice and alchemist’s assistant. Fleeing from the Prussian King, he goes to Saxony, where King Frederick August the Strong takes him to a fortress and demands that he create gold. Böttger is equipped with everything he would need for the task, but he has known for a while that actual gold production is a myth and instead experiments with porcelain—white porcelain, as the Chinese are said to possess. In 1709, he finally succeeds in surprising the King with the "white gold," the first white porcelain made in Europe, he hopes for freedom.
Der Adler vom Velsatal
5.1/10
