The best Ida Chan’s action movies

When Hsiang Ming's wife is murdered, he takes up the hunt for her killer. The killer turns out to not be at all like he imagined, and suddenly he has unsuspected enemies who are after him.

For most of the running time it's business as usual as gamblers Andy Lau and Alan Tam pull scams when they're not exposing them for casinos and incurring the wrath of a family of Japanese gangsters before Tam marries rich girl Idy Chan and Lau, as is the way with all movie hustlers, gets a busted hand, a drink problem and Rosamund Chan (so not entirely a bad shuffle there).

Kawashima Yoshiko was originally the 14th daughter of Emperor Xu. She was sent to Japan to train in the ways of the Samurai but lost her virginity to Samurai. She then married a Mongolian prince and set her mind to fight for the independence of Mongolia but the marriage failed. Arriving Shanghai, she met an opera singer Wan Hoi. Because of her beauty and background, she achieved a great deal, including successfully smuggled a Queen, Yuen Yung and helped Pu Yi to establish Manchuria. Unexpectedly, she met up again with Wan Hoi, who was the number one singer at that time but also part of the rebel force, and tried to unsuccessfully assassinate Yu-Yeh resulting in his own death. Yoshiko saved him but he could not be bought, so she set him free without Japanese' permission. The Japanese were dissatisfied and eventually she was exiled back to Japan. She later returned to China. However, because of the lost of Japan, she got arrested and executed. (Joy Sales)

Based on a novel by Gu Long, Frankie Chan's A Warrior's Tragedy details the parallel stories of two warriors: one trained to love, the other to hate, both to be superior swordsman. On one side of this twisty tale of murder and revenge lies the dark and brooding Fu Hung-Suet (Ti Lung). Dressed from head to toe in basic black, Fu wanders from town to town, dispatching his enemies with his impressive ebony sabre. On the other end of the spectrum is the happy-go-lucky Yip Hoi (Frankie Chan), a cheeky, mustachioed fellow who dresses in white and happens to be a proficient martial artist. As one would expect, the two contrasting swordsman are locked on a proverbial collision course with destiny as both are invited to the home of the villainous Ma Hong-Kwan, who has a sinister connection to our heroes.