The best Ichirô Nakatani’s crime movies

Ichirô Nakatani

Ichirô Nakatani

15/10/1930- 01/04/2004
If you love cinema, you will share this ranking of the best Ichirô Nakatani’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ichirô Nakatani.

Oh, Bomb!

Oh, Bomb!
7/10
During the mayoral election, two ex-prisoners decide to replace the lucky pen of an annoying candidate with a mini-bomb.

Delinquent Girl Boss: Worthless to Confess

Delinquent Girl Boss: Worthless to Confess
6.7/10
  • Genre: ActionCrime
  • Release: 21/04/1971
  • Character: Mari's poor husband
Reiko Oshida stars as a young wannabe gangster tough girl, just released from reform school. She tracks down one of her classmates fathers, who runs an auto repair shop that the local Yakuza are trying to force out of business and take over, and starts working for him. At the same time a recently released from prison, and now ill Yakuza is trying to make a new life for himself and his girl, a friend of Reiko's, who also just graduated from reform school. A fateful car crash brings the two on a collision course with each other and the brutal Yakuza clan, which can only end bloody vengeance.

Hokuriku Proxy War

Hokuriku Proxy War
7/10
In the setting of the Hokuriku region, where the snow and cold winds rage, for the first time in true-life yakuza film history, director Kinji Fukasaku shows battles among yakuza who value land over tradition. Hiroki Matsukata stars as Noboru Kawada, a Hokuriku yakuza who will use any measure for survival, disregarding parents, brothers, and tradition.

Prison Walls of Abashiri, Part 2

Prison Walls of Abashiri, Part 2
6.2/10
  • Genre: ActionCrime
  • Release: 10/07/1965
  • Character: Yoshiyama
Two convicts just released from prison find a green bauble filled with diamonds — and try to prove they didn't steal it.

New Battles Without Honor and Humanity 1

New Battles Without Honor and Humanity 1
6.9/10
The sixth chapter of Jingi Naki Tatakai series With the endless power struggle. The extraordinary combination of Kinji Fukasaku and Bunta Sugawara, along with new ideas and a strong touch of realism, created the sixth movie of the series that describes 'The War of Hiroshima Gangsters' which had lasted almost 30 years after World War II. It can be called the Japanese secret post WWII history. It focuses on the ugly, violent inside struggle of the Yamamori Group of 1959 in Kure City, Hiroshima. Director Kinji Fukasaku, the master of portraying violence and humanity, said "Having making the five previous movies, I found those characters very interesting. So I took a deeper look into them this time." He made this shocking movie with high enthusiasm and revealed the core of gangster's struggle which has never been touched before.

The Last Gunfight

The Last Gunfight
6.5/10
Japanese police detective Saburo Fujioka is suspected of corruption, demoted, and sent to the city of Kojin. Kojin is the scene of fierce fighting between rival gangs. Fujioka is assigned to investigate the death of the wife of gangster Tetsuo Maruyama of the Kozuka gang, probably at the hands of one of the Oka gang. During a gang gunfight, Maruyama is rescued by Detective Fujioka and the two become friends. But Maruyama insists on avenging his wife's murder, even if it means conflict with his new friend.

Outlaw: Black Dagger

Outlaw: Black Dagger
6.5/10
A street war breaks loose between two rival gangs in the Kansai region of Japan. Goro is in the middle of action. Through a knife fight against Sueo, a high profile gangster from Busou-kai, Goro notices a familiar face approaching him from amidst the chaos - his girlfriend, Yuri. Goro had sent her to safety, but she had returned, aching to see him. Caught between Goro and his enemy knife, she reunites with her love - the price was her life.

The Homeless

The Homeless
5.5/10
The Homeless is a picaresque tale in the truest sense of the word. Two inmates are simultaneously released from jail, but go their separate ways, only to cross paths again in the nearest brothel. There they make the acquaintance of a would-be prostitute with a childlike mind and serious problems with the yakuza. They help her escape from the mob-infested cathouse and decide to guide her on her quest for sunken contraband somewhere off the coast, whose location only she knows, but which the yakuza are very eager to learn about. It is a remake of the French film The Last Adventure (1967).

By a Man's Face Shall You Know Him

By a Man's Face Shall You Know Him
6.9/10
  • Genre: Crime
  • Release: 23/03/1966
Also known as "History of a Man’s Face" and "By a Man's Face Shall You Know Him" . Immigrant gangs terrorize a Japanese town with their threats, loud jazz, and tasteless fashion sense, and only the tough but suave Dr. Amamiya (Ando) can stop them, as long as he gets rid of his silly peace-loving ideals.

The Fixer

The Fixer
5.6/10
  • Genre: Crime
  • Release: 01/01/1979
Political fixer Homei Yamaoka's misdeeds come to light, throwing Japanese politics into deadly confusion. But he's not going down without a fight.

Rub Out the Past

Rub Out the Past
7/10
  • Genre: Crime
  • Release: 26/08/1966
  • Character: Kosuke Tatsumi
A lone wolf tries to eliminate a drug-smuggling operation.

Inn of Evil

Inn of Evil
7.3/10
  • Genre: CrimeDrama
  • Release: 11/09/1971
  • Character: Officer Okajima (uncredited)
The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers to), the head-quarters of a group of smugglers, with stolen money intended to ransom his loved one who is forced to work in a brothel.

The Weed of Crime

The Weed of Crime
6.1/10
Toho-produced crime drama involving the drug trade.

Big Shots Die at Dawn

Big Shots Die at Dawn
6.3/10
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)

A Man in Red

A Man in Red
7/10
Takashi, who took the blame when his father shot a gangster, returns home after serving a four-year sentence, only to find it infested with yakuza running a dope ring. Battling gangsters all the way, Takashi searches for his former girlfriend, now a drug addict.

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