The best Humberto Busto’s movies

A fatalistic car crash in Mexico City sets off a chain of events in the lives of three persons: a young man aching to run off with his sister-in-law, a supermodel, and a homeless man. Their lives are catapulted into unforeseen circumstances instigated by the seemingly inconsequential destiny of a dog.

Three college students, Phil, Ed, and Henry take a road trip into Mexico for a week of drinking and carefree fun only to have Phil find himself a captive of a group of satanic Mexican drug smugglers who kill tourists and whom are looking for a group of new ones to prepare for a sacrifice.

A rebellious teen butts heads with the teachers at an all-girl charm school in Mexico City.

The film opens with a baby dinoshark swimming away from a broken chunk of Arctic glacier that calved due to global warming. Three years later, the dinoshark is a ferocious predatory adult and kills tourists and locals offshore from Puerto Vallarta, Mexico. The protagonist, Trace, is first to notice the Dinoshark and witnesses his friend get eaten, but has trouble convincing people that a creature of such antiquity is still alive and eating people.

Raúl, Eduardo and Santiago have led a happy and "straight" life since their childhood, until, one day, Santiago confesses to them that he is gay.

Two parallel stories about people trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road... for over 35 years.

A science fiction thriller that takes place in 1968's Mexico and deals with identity in a metaphorical way, as the plot involves a mysterious condition that makes all persons locked inside a bus station on a rainy night to adopt the same face and features.

Spain, 1937. Ramón Mercader, a young communist combatant, is recruited and trained by the Soviet intelligence service to participate in a top secret mission ordered by the ruthless dictator Joseph Stalin: the assassination of his former political rival, Leon Trotsky, who is living in exile in Mexico.

A young man is unable to break up with his girlfriend and decides to hire an agency that specializes in ending relationships.

9 Mexican directors come together to narrate traditions and more brutal, ruthless and bizarre legends of our country. Mexico Barbaro shows the world stories that are part of our popular culture, from sweet stories told by our grandmothers, the tooth fairy, witchcraft, the story behind the weeping woman, sexy Devil' servers, a pagan hero, the burnt woman, up to ancestral culinary bloody rites. Traditions and legends that today continue to cause terror among Mexican people. Included shorts: **Paidós Phobos** (Paidos Phobos) **Potzonalli** (Potzonalli) **Bolas De Fuego** (Fireballs) **Exodoncia** (Exodontia) **Vitriol** (Vitriol) **Dirección** **La Leyenda de Juan Soldado** (Juan the Soldier) "No Te Duermas" (Do not sleep) **Ya Es Hora** (It's About time).

A senior official of the Mexican political system decides to fake the capture and death of The Coyote, public enemy number one in Mexico, to make this happen, he cuts a deal with his family, who require a dead body to pose as a double. Topillero is responsible of executing the plan. But on this journey he is reunited with his wife and son, whom he abandoned years ago.

Three people with insomnia get together at a supermarket where they share their experiences.

(In a dark basement) Norma hears the faint voice of Everio and her own, from an Ampex vintage tape recorder. They have been talking incessantly, and *oftentimes the taped conversations coincide with their *chats. The only thing troubling Norma is that until that day, she and Everio had never met and the last she heard was Everio strangling her.

Tatjana dreams of escaping St Petersburg, and thinks she's found a man that can take her away. Meanwhile in Mexico City, Champinon struggles to find himself a girlfriend. In Los Angeles, Asha discovers her fiancé has been cheating on her, and in Kenya, Matthew struggles to break into Nairobi's burgeoning hip hop culture. The cast of characters react to the building pressure to create TRANSIT: Tatjana leaves Russia for Mexico City in search of her lover, and Asha for Nairobi to shoot a film for her graduation project. In their new locations our characters meet and our four stories become two when Tatjana finds Champinon and Asha finds Matthew. Love follows but their relationships are not as simple as they first appear, as we discover that all their stories are interlinked. —Niall MacCormick

Deep inside, Manuel has always been Manuela. Amidst her worst love crisis, Manuela reinvents herself as Manuel in order to pass as the fiancé of her best friend Coca - who is pregnant from a one-night stand and must face her conservative family. Hidden identities, misunderstandings, and the tension between two friends pretending to be what they are not, stage a colorful and up-beat story.