The best Hollis Frampton’s movies

Hollis Frampton

Hollis Frampton

11/03/1936- 30/03/1984
We present our ranking of the best Hollis Frampton’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Hollis Frampton.

He Stands in a Desert Counting the Seconds of His Life

He Stands in a Desert Counting the Seconds of His Life
7.8/10
  • Genre: Documentary
  • Release: 22/02/1986
  • Character: Self
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
8.2/10
  • Genre: Documentary
  • Release: 05/11/2000
  • Character: Self
Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.

Wavelength

Wavelength
5.4/10
  • Genre: Drama
  • Release: 29/12/1967
Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

Funtime at the Vasulkas

Funtime at the Vasulkas
A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and Schier designed a prototype device, the Vasulka Imaging System, or Digital Image Articulator. It was one of the first digital audiovisual tools to generate image algorithms and convert them to an analog signal. In the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo became one of these places of, teaching and mediating, in the area of Media Art, developing into what was perhaps to the most influential school for media in the twentieth century. Teaching there under the leadership of the founder Gerald O’Grady were the (meanwhile canonized) structuralist, avantgarde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary filmmaker James Blue, video artists Steina and Woody Vasulka, and Peter Weibel.

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