The best Holger Juul Hansen’s movies

6th Grade gets a new substitute teacher. She wants to train the class for an international competition in Paris. But something isn't right. How is she able read kids' minds? Why is she so mean? And how does she manage to convince everyone's parents she is so great when the whole class knows she is really an alien?

The first part of a Danish miniseries that has been edited into two massive films, "Riget" is set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget". The show follows a number of characters, both staff and patients, as they encounter bizarre phenomena, both human and supernatural.

The series is set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget". "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.

Egon is starting to be a little forgetful; he forgot the zone number, so he fails to open the strongbox. When he gets out of Vridslose State Prison, Kjeld and Benny have become associates of Yvonne's cousin Georg from America. He is not just some old-fashioned strongbox thief that can't remember like Egon, but a young hip IT criminal, that thinks that everyone else is inferior. However, Egon doesn't take lightly to the Georg's patronizing so he sabotages Georg's computer and ruins his cup. This time Egon's ambitions reaches a new high, when he and his gang break in to the World Bank, and they get away with it. Of course, thanks to Yvonne, they aren't rich very long.

The tween, Mads, finds it hard to fit in. Having feelings for a girl in class and a clumsy farther who is a teacher at his school doesn't help. By an unforeseen chance of events, Mads becomes somewhat of a hero, but will he win the girl?

As usual, Egon has an ingenious plan. And, as usual, it works just fine until one of the gang members makes some kind of funny error. This time, however, even Egon's life is in danger, for some international criminals try to get rid of him by throwing him into a container filled with acid.

Hodder is nine years old. He lives on his own with his father, who works nights as a bill poster. One night a fairy appears to Hodder and asks him to save the world.

Charles and Peter have passed their law degree and is looking forward to woo a few girls in the country. For that, they need a chaperone and persuade their fellow student Ditlev to play Charles aunt from Brazil. Ditlev have a talent for acting and take the role very seriously, but when Charles real aunt turns up, begins intricacies to grow wild.

Criminal genius Egon Olsen presents his accomplices Benny and Keld with yet another infallible plan that can only end badly. The booty is a red suitcase containing values ​​worth five million. The sinister mastermind Bang-Johansen carries the suitcase. The Olsen Gang follows him to Paris, where they put their cunning and carefully organized plan into motion.

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.

A look at what happened when Denmark abolished censorship in the late 1960s.

The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.