The best Hisashi Igawa’s action movies
If you love cinema, you will share this ranking of the best Hisashi Igawa’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Hisashi Igawa.
Ran
8.2/10
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
Harakiri
8.6/10
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
Goyokin
7.6/10
A guilt-haunted samurai warrior attempts to stop a massacre taking place.
Three Outlaw Samurai
7.6/10
Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.
47 Ronin
6.4/10
Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.
Cash Calls Hell
7.4/10
Before leaving prison, Oida uncomfortably enters into an agreement with his cell mate: in exchange for a half-share of 30,000,000 yen, he is to assassinate three strangers given to him on a list. However, upon meeting his first potential victim, Oida has second thoughts. Yet, even as he tries to back out, the body count starts climbing. Oida must now try to alert the people on his list of their impending danger, and find out why they are being targeted in the first place.
Big Shots Die at Dawn
6.3/10
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)
