The best Hirotaka Suzuoki’s horror movies
We present our ranking of the best Hirotaka Suzuoki’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Hirotaka Suzuoki.
Urotsukidōji: Legend of the Overfiend
6.3/10
Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Juujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the "Choujin" (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amanoùalong with his sister Megumi and their sidekick Kurokoùmust protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth.
Devilman Volume 3: Devilman Apocalypse
6.4/10
Fear runs rampant throughout Tokyo with the revelation that demons in fact exist amongst us. Paranoia and the darker side of humanity boils onto the streets as people turn on one another, suspecting that anyone could in fact be a demon hiding in human clothing. Amidst the growing tensions, tragedy strikes Akira causing his mind to snap, retreating into his subconscious, allowing his Devilish alter-ego Amon to break free from Akira's cage of flesh and wreak havoc on both human and demons alike.
Urotsukidōji: Legend of the Demon Womb
5.9/10
In this sequel to Urotsukidoji: Legend of the Overfiend, the unbelievable sexual violence of the Overfiend and his cohorts from Hell continues to wreak havoc on the earth. Who can stop this relentless onslaught?
Hell Target
5.1/10
A spaceship is lost near the forbidden planet of Inferno II. Some years later, a second ship with a crew of nine gets there and encounters a monster that rapidly makes mince meat of most of them. The sole survivor, Makuro Kitazato, must destroy the monster before it can surprise a third ship that is already en route.
Urotsukidoji V: The Final Chapter
5.9/10
Only one episode of this was partially completed, the released version containing numerous examples of animation that is missing in-between frames. The story as such concerned the arrival of the real Chojin as he/she (a hermaphrodite) makes moves to wipe out all life on Earth. Interestingly, the setup for the show was far more heavily connected with the first two, more popular, chapters in the Urotsukidoji saga, with appearances by Nagumo and Akemi (unseen since the early episodes of Part III), and redesigned character models that more closely resembled the earlier episodes. Some of the less popular characters introduced in chapters III and IV, particularly Buju, were nowhere to be seen. Nevertheless, such strategies did little to get this final saga off the ground and the story was shelved.
The Guyver: Bio-Booster Armor
7.6/10
Sho and his friend Tetsurou stumble upon an odd alien artifact while walking through the woods. Then, the alien artifact breaks free of its metallic bonds and enters Sho's body, turning him into the Guyver. With this new power, Sho must do battle with the evil Chronos corporation and their genetically enhanced Zoanoids, who seek to get the Guyver back into their labs. No one close to Sho is safe from Chronos. He must fight.
Galaxy Investigation 2100: Border Planet
7.3/10
Tezuka Osamu crafts a love story in the time when humans are expanding into space at the end of the 21st century, employing an omnibus form similar to Bradbury's "Martian Chronicle." Leaving the earth after marriage, a woman is left behind in space when her husband suddenly dies of a cosmic disease. Her friends on the Earth head for space to save the woman who was once everyone's ideal lady. Tezuka Osamu emphasizes his concepts that "love can save the earth" and "only love can save humans."
