The best Hiroshi Tamaki’s science fiction movies

An environmental analyst is asked by the police to determine if two deaths by hydrogen sulfide poisoning are an accident - or a murder. But when he meets a young woman at both sites, a scientific mystery begins.

In the year 1716 a mysterious epidemic stickens men in the country of Japan, dropping the population of men to 1/4th of its prior state. With the drastic reduction of men, the gender roles have become reversed in Japan. Woman become the dominant members of society and males are sought out for the ability to produce children. A young man named Unoshin Mizuno (Kazunari Ninomiya) hopes to marry childhood sweetheart Onobu (Maki Horikita), but due to class differences realizes this is almost impossible. To raise his social status and also save his poor family, Unoshin Mizuno enters the Ohoku (inner chambers of the Shugun's castle) and attempts to vie among 3,000 other men for the affection of the female shogun. What Unoshin Mizuno quickly learns about the Ohoku is that the men there are all beautiful, but highly ambitious and conniving. In this environment, the 7th shogun Tokugawa passes away and the new shogun Yoshimune Tokugawa (Kou Shibasaki) takes the thrown and enters the Ohoku.

A live-action adaptation of Osamu Tezuka’s mature manga masterpiece MW (pronounced “moo,” like a cow), created to celebrate the 80th anniversary of Tezuka. When a top secret chemical compound called MW infects an island near Okinawa, the military is sent in to kill all the victims and cover up the incident. A survivor named Michio Yuki (Hiroshi Tamaki) grows up to become a highly-successful banker, but he is slowly being driven mad by the effects of MW. After committing a series of ruthless crimes to get revenge against the people responsible for the cover-up, he decides that the only way to truly get revenge is to unleash MW on the world and exterminate the entire human race. Takayuki Yamada stars as Father Garai, a priest desperately trying to save Michios soul—and possibly his own in the process—but not necessarily doing much to stop the crime spree.