The best Hiroshi Tamaki’s music movies

Hiroshi Tamaki

Hiroshi Tamaki

14/01/1980 (44 años)
We present our ranking of the best Hiroshi Tamaki’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Hiroshi Tamaki.

Nodame Cantabile: The Movie I

Nodame Cantabile: The Movie I
7.1/10
Chiaki is an aspiring conductor who faces the challenge of leading an orchestra which is made up of substitutes. Nodame gives her support to her beloved as she works hard towards achieving her dream to pass a promotion exam at their music conservatory. Will Chiaki be able to revive a broken down orchestra and launch his musical career? What will become of Nodame and Chiaki's relationship?

Nodame Cantabile: The Movie II

Nodame Cantabile: The Movie II
7.1/10
Nodame and Chiaki mutually decide that it would be for the best if they parted ways for a while so Nodame can practice for an upcoming competition. However, when things don’t go her way, she gets impatient and depressed. While Nodame is away, Chiaki’s former pianist Rui Son returns to take her place. To make matters worse, Rui and Chiaki are set to play the song Nodame dreams of playing with Chiaki herself: Ravel’s “Concerto in G Minor”.

Rockers

Rockers
6.7/10
Guitarist Ko-chanis a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.

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