The best Hiroshi Arikawa’s drama movies
Today we present the best Hiroshi Arikawa’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Hiroshi Arikawa’s movies.
Sharaku
6.7/10
The ukiyo-e (woodblock print) artist Sharaku is an enigmatic puzzle in the world of Japanese art. Working at an age when such masters of the trade as Hokusai and Utamaro were at their zenith, Sharaku suddenly emerged out of obscurity and produced roughly 140 strikingly brilliant portraits of Kabuki performers, only to disappear just as suddenly. To date, no one knows about his true identity or about his post-ukiyo-e career. Veteran director Masahiro Shinoda tries to fill in the blanks with this lavish period production. Set in the 1790s, the film centers on Tombo (Hiroyuki Sanada), a lowly Kabuki player who gets dumped from his troupe after breaking his foot. He joins a ragged traveling outfit run by former courtesan Okan. While not on-stage, he takes up drawing, for which he realizes he has considerable ability. His talents are noticed by Tsutaya Juzaburo, a ukiyo-e publisher who is desperate for a replacement after his star artist Utamaro defected to his rival's stable.
Red Peony Gambler: Biographies of a Gambling Room
7.1/10
Junko Fuji returns as Oryu the Red Peony, a wandering female yakuza on a soul-searching journey after the death of her father. After collecting her sickly follower from jail, she is taken in by a fishing village. Feeling indebed to their generosity, she stays to work for the village and promises to leave her yakuza ways behind. When a dispute breaks out for the gambling rights to a local festival, the villagers are harrassed by a gang of thugs. When the harrassment turns violent, Oryu must decide wither to keep her promise or protect the villagers.
White Wolf
5.2/10
A gray wolf raised on a farm kills the family dog, and to save him from being destroyed, a boy named Lasset makes a trek through the wilderness with the wolf to a wilderness sanctuary 300 miles to the north. The BGM in the film consists entirely of Dvorak's Serenade for Strings, making it perhaps the only anime since Gauche the Cellist to make use of a single piece of classical music as the soundtrack. The plot of the film is simple and the outcome obvious, but the atmosphere of the film is genuine, and it is very moving in parts thanks to Dvorak's music (which is scored entirely for the most emotional of the instrument groups, the strings). This is a straightforward drama about the friendship between a boy and his wolf, and it pushes all the buttons you'd expect, but it's very enjoyable despite all that.
