The best Hildegard Schroedter’s drama movies

While subjected to the horrors of WWII Germany, young Liesel finds solace by stealing books and sharing them with others. Under the stairs in her home, a Jewish refugee is being sheltered by her adoptive parents.

A tragic love story set in East Berlin with the backdrop of an undercover Stasi controlled culture. Stasi captain Wieler is ordered to follow author Dreyman and plunges deeper and deeper into his life until he reaches the threshold of doubting the system.

Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.

It's Lara's 60th birthday, and she has every reason to celebrate: this evening, her son Viktor will be giving the most important piano concert of his career. Lara was, after all, the one who'd mapped out and driven his musical career. Yet Viktor has been unreachable for weeks and nothing indicates that Lara will be welcome at his debut performance. Without further ado, she buys up all the remaining tickets and hands them out to everyone she meets. The more Lara strives to make the evening successful, however, the more events get out of control.

Two young people in Berlin, a refugee and a homeless punk, form a relationship.

As a nun, Katharina von Bora lives the life destined for her until she comes into contact with a completely new world of thought in the early 20s through the writings of Martin Luther. She flees with some of her co-sisters and comes without legal status, without income and rejected by her family to Wittenberg, where she meets Martin Luther personally. Katharina decides to marry the reformer and, as his wife, becomes a respected housekeeper, an equal interlocutor and the mother of their children together.

Peter and Lisbeth are two young but unfortunate lovers living in a rigid rural community in the Black Forest. She comes from a wealthy family of glassblowers; he is a poor coal worker on the lower end of society. To become rich and respected, Peter makes a pact with a devil named Dutch Michael, who rips out his heart and replaces it with a stone. Robbed of all warmth and feeling, Peter becomes a cold-hearted go-getter who rapidly achieves his goals. Ruthlessly he strives for money and power.

Nama, a teenager from Mali, has crossed desert and sea for his freedom. When Nama is injured in a fight, an old man named Willi lets him move into the house that he used to share with his son Stefan. The father and son have not spoken for years and the three men may have little in common, yet what binds them together is their search for a home where their wounds from present and past can heal.

A French teacher makes a startling discovery while on a trip to Buchenwald.

For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.

The shy late twenties Torsten tile lives with his mother in a bleak Berlin slab. In the guise of his alter ego "Lux - Warrior of Light" he tries to make the world a little bit better. He distributes food to the homeless and helps out on his forays through the city wherever he can. A film crew accompanies him to make a documentary about the social engagement of the self-appointed real-life superhero. Jan, the director, is still looking for a donor. The resourceful producer Brandt shows interest, but on condition that he sees something spectacular.