The best Hideo Murota’s drama movies on Google Play Movies

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.

Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.

Tomokawa is a tough guy turned bored cop who spends much of his time sating lonely housewives and looking after retarded teen Sukemasa. One day while hanging out at a bar, he is approached by a 15-year-old enjo kosai named Yoko, offering a round of illicit sex in exchange for cash. Though he demurs, their paths cross again and soon a relationship of sorts forms. Yoko, it turns out, is Sukemasa's sister; and both are the children of his old flame Yukie, a grasping, self-centered woman. Moreover, Yoko's grandfather is responsible for the massive tattoo sprawling across Tomokawa's back. Tomokawa soon takes both teens under his wing, protecting them from their heartless mother, and their lecherous stepfather. Soon, Yoko gets a similarly massive tattoo illustrating her bond with her policeman savior.

As Japan gears up for the 1964 Olympic games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.

The sixth chapter of Jingi Naki Tatakai series With the endless power struggle. The extraordinary combination of Kinji Fukasaku and Bunta Sugawara, along with new ideas and a strong touch of realism, created the sixth movie of the series that describes 'The War of Hiroshima Gangsters' which had lasted almost 30 years after World War II. It can be called the Japanese secret post WWII history. It focuses on the ugly, violent inside struggle of the Yamamori Group of 1959 in Kure City, Hiroshima. Director Kinji Fukasaku, the master of portraying violence and humanity, said "Having making the five previous movies, I found those characters very interesting. So I took a deeper look into them this time." He made this shocking movie with high enthusiasm and revealed the core of gangster's struggle which has never been touched before.

The most dangerous hired gun in Tokyo's underworld has managed to trigger a vicious gang war, and now, there's a contract on his life. Though nobody is more skilled in the arts of dealing death, can the tattooed hitman fend off the entire Japanese mafia as he searches for the man who wants him dead?