The best Hermine Karagheuz’s movies
Today we present the best Hermine Karagheuz’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Hermine Karagheuz’s movies.
Mr. Klein
7.5/10
Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.
Out 1
7.5/10
While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.
Nocturama
6.4/10
Paris, one morning. A group of young people from different backgrounds. They launch into a strange ballet in the metro tunnels and the city's streets. They seem to follow a plan. Their gestures are precise, almost dangerous. They converge towards the same point, a department store, at the moment it is about to shut. Night begins.
Duelle
6.9/10
The Daughter of the Moon battles the Daughter of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.
Lumière
5.9/10
Sarah, an actress nearing 40, has invited the woman who has been her best friend for 16 years and two younger women to her vacation retreat in Provence. There are the simple pleasures of lounging in adjacent hammocks, the sun, the food, conversations about men. This is prologue for what happened a year ago in Paris with a man Sarah has long taken for granted as a platonic friend. She had just finished a film, also finishing her liaison with the director, and was about to get an award and start work on a new film and begin a romance with a German writer.
Secret Defense
7/10
Sylvie, a scientist aged 30, has to dig deeper and deeper into her own background.
Short Memory
5.7/10
In this thriller, a UNESCO translator stumbles across a group which is hiding and supporting Nazis and facilitating their travel around the world. She had been given an assignment to study the work of a writer who recently had died, and the conspiracy is revealed in materials he left behind. She comes upon a young man who is going through the writer's papers, and she immediately assumes he must be one of the conspirators. However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader.
Merry-Go-Round
6.5/10
New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance. Upon arrival, they meet and soon find themselves tangled in a complex mystery.
Out 1: Spectre
7.2/10
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...
Guns
6.2/10
The film concerns a group of disparate types who support themselves by running guns to the Arabs. On the surface, it would seem that these characters are bad guys. In fact, the guns are to be used by a resistance group who hope to continue shipping oil to the West, despite the despotic curbs imposed upon fuel shipments by their leaders.
My Heart Is Red
6.6/10
A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
8/10
In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the film’s most significant locations. THE MYSTERIES OF PARIS features new contributions from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews. Running time is 110 minutes.
