The best Herman Yau’s movies
We present our ranking of the best Herman Yau’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Herman Yau.
Love Actually... Sucks!
4.2/10
Love Actually... Sucks! was inspired by real-life events, and opens with a dramatic wedding feast. It tells a variety of stories about love that has gone wrong: a brother and sister in an illicit relationship, a married painter who falls in love with his young male life model, a dance school teacher who is besotted with his senior student, and a lesbian couple, one of whom has role-play paranoia, and is caught in a complex love triangle. The film celebrates the belief that life is love.
Cageman
7.8/10
This film is about the life of socially deprived people who lives in caged housing in Hong Kong. Given the very tough topic of social deprivation, extreme poverty and shockingly appalling living conditions, I expected "Cageman" to be very tough to watch. This turns out not to be the case. Instead, "Cageman" is a warm, positive and loving film about friendship. People in the caged housing live as harmonious as possible, supporting each other by their limited means.
From the Queen to the Chief Executive
6.9/10
In 1985, Cheung Yau-ming was one of five miscreants involved in the brutal murder of a white couple. As he was still a juvenile, the court ordered that he be "detained at Her Majesty's pleasure," a clause in British law allowing the government to imprison young offenders for an indefinite period. The film picks up in 1997, with Yau-ming (now 28) being paid a visit by a girl named Cheung Yue-ling. With only six months to go before the Handover, Yau-ming and 22 other prisoners hope to have their sentences determined soon, fearing what might happen should the decision about what to do with them become the province of incoming Chief Executive Tung Chee-hwa.
Reunion
Herman Yau turns his eye on the struggles of immigrants from Mainland China in this neorealist drama, which depicts the plight of a woman forced into prostitution after her husband becomes unemployed, leading to an unflinching story about the problem of domestic violence among families living in poverty.
