The best Hélène Loiselle’s movies
Today we present the best Hélène Loiselle’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Hélène Loiselle’s movies.
Mon oncle Antoine
7.4/10
Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business. Mon Oncle Antoine is Director Claude Jutra's masterpiece: A poignant, starkly honest, but humane film, shot through with authenticity from beginning to end. Realized with an unflagging artistic vision, Mon Oncle Antoine poetically portrays a young boy's coming of age, vividly capturing the Quebec mining town in which he lives.
Orders
8.1/10
A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.
Montreal Stories
6.1/10
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.
Post Mortem
7.2/10
In this tough French-Canadian drama, two outsiders -- one who works with the law, another who lives outside it -- come together with unfortunate consequences. Linda (Sylvie Moreau) is a devoted single mother who will do anything to support her five-year-old daughter, Charlotte (Sarah Lecompte-Bergeron). Unfortunately, a lot of what Linda does best isn't exactly legal, such as luring well-to-do men into the park and then mugging them. One night, Linda is trying to coax a visitor from America into the shadows when the situation starts to go wrong. Meanwhile, Ghislain (Gabriel Arcand) is a shy, lonely fellow who works at the morgue and likes to listen to the blues late at night. In time, we discover that Linda and Ghislain met at one time, leading to an ugly encounter for both of them.
The Bottle
6.6/10
Réal and François are two old buddies in their early 30s who reunite at last to unearth a time capsule bottle which contains their dreams and ambitions from 15 years earlier. The problem is, their little treasure is buried on a plot of land that now belongs to a grumpy old coot, Antoine. Paying big bucks to get at their bottle, they discover that Antoine's daughter, Lea is trying to become pregnant and seeks the help of a gay friend to do it. Back in boyhood mode, Lea becomes the object of their desire.
Tiens-toi bien après les oreilles à Papa
5.8/10
Dirty Money
6.8/10
This French-Canadian crime/action drama, which satirizes U.S. crime films, was shown at the Cannes Film Festival in 1972 and was well received. In the picture, perfectly ordinary people murder, steal, and torture one another with casual abandon in order to solve their everyday problems.
Françoise Durocher, Waitress
7.2/10
Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.
Sweet Lies and Tender Oaths
An eccentric old grandmother decides to leave her nagging daughter's house to live on her own. Her teenaged granddaughter seizes the opportunity to go too.
