The best Helen Vita’s movies
If you love cinema, you will share this ranking of the best Helen Vita’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Helen Vita.
Lili Marleen
7.1/10
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert's family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song "Lili Marleen."
Cabaret
7.8/10
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
Games of Desire
5.2/10
The wife of the Swedish Ambassador of Greece becomes involved in a romantic triangle, but the man who comes between husband and wife has a preference for the husband.
Palace Hotel
6.7/10
The paths of guests and employees cross at the Palace Hotel in St. Moritz: A chambermaid experiences financial difficulties. A guest has been robbed. A thief is caught. An assistant cook is promoted to waiter. And there’s no shortage of love in this small world of the great Hotel Palace. Keeping an orderly eye over proceedings is the hotel’s beautiful patron, whose heart is in the right place.
Torrents
6.6/10
Satan's Brew
6.7/10
This fast-paced black comedy by wunderkind director Rainer Werner Fassbinder follows the frantic efforts of a starving and confused writer, Walter Kranz to beg, borrow or steal enough money to survive on, and at the same time make some sense of his confusing life. Unable to write enough to keep his publisher's royalty advances coming, he seeks out a woman he imagines is a prostitute and interviews her for material. He is also inspired to utter some poetry, which his brassy, outspoken wife identifies as coming from the famous homosexuality-advocating mystical German poet, Stefan George. This inspires Walter to take a closer look at the gay scene, and he quickly becomes a sort of celebrity there.
Swinging Wives
4/10
Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.
The Fire Tongue Bowl
4.6/10
Bride of the Orient
6.5/10
08/15 Part 2
6.6/10
Winter 1942: Like thousands of other German soldiers, Asch and Vierbein have ended up at the Eastern front. Although Vierbein finds a new friend in Kowalski, the squadron commander captain Witterer, a true army veteran, gives them a really hard time. Witterer’s pointless orders reflect the bad habits of many former superiors. And again, Vierbein has to bear the brunt.
The Sweet Pussycats
4.8/10
An officer (Sieghardt Rupp) and a count (Ernst Stankovski) who live in opposite ends of the same castle bet each other who will be the first to bed their respective new 'virgin' maid. The winner will get ownership of the castle. In order to attain his goal, the officer ignores his lusty fiancee (Edwige Fenech) but she soon finds a luitenant (Ivan Nesbitt) to turn her attention to. Eventually a whole stable of local prostitutes gets in on the act.
Dream City
6.1/10
A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.
08/15
6.9/10
Life in the barracks, drill, harassment, and private Asch′s pranks are the ingredients of Hans Hellmut Kirst′s successful novel "08/15" (the number of an Army regulation). Shortly before the outbreak of World War II: Private Asch and gunner Vierbein belong to the same unit but could not be more contrary. The instructors use every opportunity to bully the clumsy Vierbein with erratic corporal Platzek leading the way. The harassment starts with minor extra duties but soon the methods become more and more brutal. Finally, Asch comes to Vierbein′s help and takes on his superiors. Joachim Fuchsberger stars in his first major role.
Happy Birthday, Türke!
6.4/10
Kemal Kayankaya, a private detective, was hired by a Turkish women, Ilter, to search for his husband, Amend, who has been missing since the death of her father, Vassif. Unknownst to him, he was about to unravel the secrets of his client's family, as well as their various dealings with the underworld and the police. Moreover, being a Turk raised in a German foster family, he has also begun to understand and accept his own ethnicity.
Du bist wunderbar
5.2/10
Rosemary
6.7/10
West Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that she can't beat the system.
The Resort Girls
4.6/10
Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.
Der Durchdreher
8.4/10
Ferien auf Immenhof
5.9/10
The pony hotel has just been opened, but so far no guests have arrived. Dick gets Ralf to design a brochure about the hotel. The girls and Ethelbert then lead the village children on horseback to Lübeck, where they all distribute the brochure - not knowing that Dalli has added some embellishments to the text.
Should a Schoolgirl Tell?
4.7/10
Schoolgirl Josefine learns from an early age to use sex to gain advantages. The school's gym teacher is arrested and accused of indecent behavior but the court dismisses the case when Josefine uses her female charm on the jurors.
