The best Helen Norton’s movies

Helen Norton

Helen Norton

If you love cinema, you will share this ranking of the best Helen Norton’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Helen Norton.

Cracks

Cracks
6.6/10
Jealousy flares after the headmistress of an elite boarding school for girls becomes obsessed with a new student.

Angela's Ashes

Angela's Ashes
7.3/10
  • Genre: Drama
  • Release: 25/12/1999
  • Character: Delia
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie's siblings, they return home, only to find the situation there even worse. Prejudice against Frankie's Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink.

How Harry Became a Tree

How Harry Became a Tree
6.7/10
Set in rural Ireland. Believing that "a man is measured by his enemies", Harry Maloney (Colm Meany) sets out to ruin George O'Flaherty – the most powerful man in town, who not only owns the local pub and most of the businesses in the area, but is also the local matchmaker. When Harry's son Gus (Cillian Murphy) – upon whom Harry regularly heaps abuse (mostly mental and verbal) – falls for the lovely Eileen, George helps get the two together. During this time, Harry quietly mobilizes his dastardly plans.

The Cherry Orchard

The Cherry Orchard
  • Release: 05/03/2020
  • Character: Charlotta
Bringing together one of the world’s great classic plays with one of Ireland’s greatest writers, Druid present Tom Murphy’s version of Chekhov’s masterpiece The Cherry Orchard at Black Box Theatre, Galway and Bord Gáis Energy Theatre, Dublin. A play about land, legacy, and the struggle between tradition and change, this is the first major production of Tom Murphy’s work since his death in 2018.

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