The best Heinz Hopf’s drama movies
We present our ranking of the best Heinz Hopf’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Heinz Hopf.
Taboo
4.5/10
Solidarity with the border people. Equal rights for the sexual deviants. Kristoffer Lohman is a young solicitor who collects stories and knowledge of different perversions. This has affected and changed his own sexual life. Sara, a young well-behaved and adorned woman, becomes interested in Kristoffer's activity.
Fanny and Alexander
8.1/10
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
Thriller: A Cruel Picture
6.4/10
A young woman, muted after a sexual assault as a child, is trained to seek violent revenge on those who have wronged her after being kidnapped and forced to work as a prostitute.
The Slingshot
6.5/10
Stockholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he sells. His rebellious ways has gotten him the special attention of his school teacher, who always makes sure that Roland is punished. Roland also tries to make extra money by repairing bicycles, a successful business that in the end lands him in hot water.
Loving Couples
6.6/10
For her feature film directing debut, actress Mai Zetterling turned to Agnes von Krusenstjerna's controversial masterpiece of Swedish feminist literature, "The Misses von Pahlen," an intense and personal seven-part novel that has been likened to the great works of D.H. Lawrence. As three pregnant women from different backgrounds wait to have their babies in a hospital in Stockholm at the outbreak of the Great War, they relive their childhood and youthful experiences via individual flashbacks. Drawing on the classic Ingmar Bergman style of Swedish filmmaking and collaborating with many of his favorite actors as well as the great cinematographer Sven Nykvist, Zetterling had produced a powerful fusion of personal emotional drama and a commentary on the role of women in a society in moral decline.
Amorosa
5.7/10
This well-executed biographical docudrama is a plunge into the madness (and the sanity) of a writer living life on its rawest edges. Agnes Von Krusenstjarna (Stina Ekbland) was a Swedish novelist (1894-1940) whose works ranged from the idyllically romantic to crushingly sardonic, sexually explicit autobiography. Von Krusenstjarna teamed up with the eccentric bisexual David Sprengel (Erland Josephson) and continued to suffer bouts of mental instability that Sprengel felt were best cured by sexual abandon. Von Krusenstjarna was not a model of emotional health when she first met Sprengel. She had inherited madness from her family while at the same time passionately rebelled against the narrow-minded mores of her genteel but poor parents. With his own wildly unorthodox behavior, Sprengel both helped and hindered Von Krusenstjarna throughout their turbulent relationship.
Exposed
5/10
Young Lena is trapped in a complex situation of sex and lies.
The Girl
5.1/10
Pat Carlsson is a 14-year-old Swedish schoolgirl who though very young is very streetwise as she offers sex, for a price, to middle-aged attorney John Berg who can not resist the young girl. What starts as an immoral sexual escape, becomes a nightmare of tragedy and deception involving blackmail, kidnapping and murder.
Woman of Darkness
6.6/10
Sweden 1889. The young Per Nilsson has a very dominant mother, Anna Månsdotter. His father died many years ago and he and his mother have for a long time been in a incestuous relationship. But Per marries Hanna for the sake of her money and Anna is mean and evil towards her, and Per refuses to have sex with her. She starts to suspect that something is going on between her husband and stepmother.
The Boy in the Tree
6.4/10
Göte is a young teen who seems to be at odds with his family and may not know his own mind that well either. Discontented and rebellious, Göte joins up with two mean-spirited game poachers in spite of the fact that he loves animals and nature. This contradiction between his own feelings and his need to rebel reaches a climax when a forest ranger starts to track down the young men in ever-tightening circles.
Topaze
6/10
A shy but righteous teacher - Topaze - with no social skills what so ever, gradually becomes aware of the realities of human societies and finally learns to master the rules at level far superior to his former mentor, Laurent Castel-Benac.
Storm
6.1/10
An elderly gentleman lives alone with his maid Louise. He spends his days chatting with the confectioner who lives and works downstairs, playing chess with his brother Karl Fredrick, and content with his memories. His young wife Gerda ran out on him five years ago, taking their young daughter with her. Now, unbeknownst to the gentleman, she’s back… and living in the upstairs apartment with the child and her new husband. When Gerda finally faces the man, sparks will fly and old wounds will be reopened. Bergman's TV adaptation of August Strindberg's play "Storm" was presented on the 111th anniversary of the author's birth. The production was also shown in Denmark and Norway and received glowing reviews. Bergman was celebrated as an outstanding TV director and was praised for his tact and sympathy in depicting old age, his superior lighting and fine camera work as well as his understanding of the medium in his use of close-ups.
Ann and Eve
4.5/10
The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety) commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'
To Ingrid, My Love, Lisa
5.8/10
Lisa is a Stockholm fashion designer who leaves the big city to rent a country home for the summer. The landlords have a beautiful 17-year-old daughter Ingrid, and at summer's end Lisa agrees to take Ingrid back to the city to give her a job as a model. When Lisa sets Ingrid up with a date, the teenage temptress wears out her date then bounces from bed to bed in her amorous pursuits of love and freedom. Ingrid invites Lisa over for dinner where they also end up in bed together in this erotic exploitation feature.
En kortfilm av Peter Kylberg
An experimental film about a lost young man among stagnant people.
