The best Harvey Korman’s drama movies

In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with an unhappy sponsor, an overbearing boss and a soon-to-be ex-husband who desperately wants her back. As the broadcast begins, a mysterious voice breaks the broadcast and suddenly members of the cast turn up dead. It's up to her husband Roger, to find out whodunit as the police chase him through the halls of WBN.

Based on the Broadway hit about the life and times of burlesque dancer Gypsy Rose Lee and her aggressive stage mother, Mama Rose.

Gideon Dobbs is young, simple-minded man who has never stopped dreaming. He checks into a retirement home where he finds the residents have lost their lust for life. Through his innocence he changes their lives and teaches them that each day is a precious gift. They get back their self-esteem and their lust for life.

They were the greatest partners that ever partnered, partner. No, I haven’t lost the ability to write, I’m simply repeating the word repeated ad nauseam in the 1978 television biopic, Bud and Lou. I avoided watching/reviewing this for a while, predominately because I know absolutely nothing about Abbott and Costello, and the duo, embodied by Buddy Hackett and Harvey Korman, instilled a belief this was a cheapo TV movie….which it is. Bud and Lou plays as if the screenwriter read a Sparknotes write-up about the duo and thought it was too long. On top of it all, the characters are bipolar in temperament and horribly miscast. For a movie about two comedians, the only humor derived is in the belief this television movie was a good idea. Bud Abbott (Korman) and Lou Costello (Hackett) struggle to rise up the burlesque ranks, eventually becoming successful comedic actors. However, various problems complicate their fame.

Newly-promoted if none too happily married Howard Brubaker leaves a rowdy company party early with the stunning Catherine, whom it turns out is herself unhappily married — to the boss. They spend an innocent night in New York becoming more and more attracted to each other, so that when Catherine announces she intends to leave her husband and return to Paris Howard asks to go along too.

From his prison cell, young Alan Musgrave relates his experiences of the previous year dedicated to fulfilling every whim of beautiful and self-absorbed high school senior Barbara Ann Greene.