The best Haruomi Hosono’s drama movies
Today we present the best Haruomi Hosono’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Haruomi Hosono’s movies.
Norwegian Wood
6.3/10
Set in the 1960s, high school student Toru Watanabe loses his only friend Kizuki after he commits suicide. Toru, now looking for a new life, enters a university in Tokyo. By chance, Toru meets Kizuki's ex-girlfriend Naoko in the university. They grow close because they both share the same loss. As Toru and Naoko grow even closer, Naoko's sense of loss also grows. After Naoko's 20th birthday, she leaves for a sanitarium in Kyoto. Watanabe, devastated by the situation, meets pure-hearted Midori during the spring semester. Midori looks like a small animal that just came into the world ...
They Say Nothing Stays the Same
7/10
Toichi is a boatman who ferries the villagers to a town on the other side of the river. Besides rowing a boat for the villagers all day long, he barely communicates with anyone except Genzo, a young neighbour. Upstream, a large bridge is being constructed. Everyone is excited, but Toichi has mixed feelings about it. One day, Toichi meets a mysterious girl. Having no family and no place to go, Toichi lets her stay with him, but this encounter starts to bring about changes to Toichi's life.
Choji Snack Bar
6.4/10
Eiji, also known as Choji, quits the shipyard to start Izakaya [Snack Bar] Choji with his wife Shigeko on the outskirts of Hakodate. Eiji once had a girlfriend by the name of Sayo, but she is supposed to be happily married to a pasture owner in the countryside. Then, suddenly one day Sayo shows up at Choji before opening. Sayo is still in love with Eiji. The story expressively portrays the lives of random Choji customers and the daily interaction between Eiji and Shigeko, while also focusing on the feelings between Eiji and his past girlfriend Sayo.
Dixieland Daimyo
7.1/10
Shipwrecked African-American slaves arrive in the midst of Bakumatsu-era Japan; they soon carve out a niche in the market with their musical talents.
Paradise View
6.8/10
Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
