The best Haruko Toyama’s movies
If you love cinema, you will share this ranking of the best Haruko Toyama’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Haruko Toyama.
Seven Samurai
8.6/10
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Ikiru
8.3/10
Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.
Stray Dog
7.8/10
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
Drunken Angel
7.6/10
The chaotic worlds of the Yakuza and an alcoholic doctor collide in this film noir classic from Akira Kurosawa. Gangster Toshiro Mifune visits doctor Takashi Shimura, after an unfortunate incident with a bullet. The doctor, who despises the Yakuza, discovers the young man is suffering from tuberculosis, a disease symbolic of what is happening to the doctor and the community he serves. Facing his own anger and fear, the doctor aligns himself with the gangster's world.
Samurai III: Duel at Ganryu Island
7.5/10
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
The Most Beautiful
5.6/10
The stories of several young women who work in a 'precision optical instruments' factory during the second World War. Despite illness, injury, and tremendous personal hardship, the women persevere in their tasks, devoted to their work and their country's cause.
White Beast
6.6/10
The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.
Snow Trail
7.2/10
Three bank robbers, Eijima, Nojiri, and Takasugi, flee the police and escape into the mountains. At an inn high in the Japanese Alps, Eijima and Nojiri encounter a young woman and her father, as well as Honda, a mountaineer. The inn folk do not realize their guests are wanted criminals and the visitors are treated with great kindness. Honda volunteers to lead them over the mountains, but Eijima's paranoia endangers all of them as they make the perilous trip.
Conduct Report on Professor Ishinaka
6.7/10
Three humorous love stories set in rural Japan.
珍説忠臣蔵
A comedic retelling of the legend of the loyal 47 ronin.
New Yuuden
Jidai-geki by Kiyoshi Saeki (Part 1 of 2)
