The best Harry Parke’s music movies

Harry Parke

Harry Parke

06/05/1904- 24/11/1958
If you love cinema, you will share this ranking of the best Harry Parke’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Harry Parke.

Earl Carroll Vanities

Earl Carroll Vanities
5.4/10
Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.

The Yanks Are Coming

The Yanks Are Coming
4.1/10
  • Genre: ComedyMusic
  • Release: 09/11/1942
  • Character: Parky (as Parkyarkarkus)
A popular band joins the army with the idea of putting on shows for troops overseas. During rehearsals, a battle erupts and the musicians must exchange their musical instruments for guns and fight.

Sweethearts of the U.S.A.

Sweethearts of the U.S.A.
5.1/10
  • Genre: ComedyMusic
  • Release: 07/03/1944
  • Character: Parky
A WW-II defense plant worker gets knocked out and dreams about helping the war effort in various ways, including solving a crime.

New Faces of 1937

New Faces of 1937
5.2/10
A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.

Out of This World

Out of This World
6.4/10
After struggling to become a success, Betty Miller and her all-girl orchestra finally hit pay dirt when crooner Herbie Fenton comes on board. Problems arise when Betty and her girls try to find backers to invest in Herbie and they sell 125 percent of him.

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