The best Harold Torres’s drama movies
If you love cinema, you will share this ranking of the best Harold Torres’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Harold Torres.
Sin Nombre
7.5/10
Sayra, a Honduran teen, hungers for a better life. Her chance for one comes when she is reunited with her long-estranged father, who intends to emigrate to Mexico and then enter the United States. Sayra's life collides with a pair of Mexican gangmembers who have boarded the same American-bound train.
Cobrador: In God We Trust
5.6/10
Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.
Sonora: The Devil’s Highway
6.3/10
1931, a year of nationalisms and excesses: The Chinese are expelled from Sonora; the US deports Mexicans and closes its borders. Twelve desperate people cross the Sonoran desert in a 1929 Chrysler, hoping to find peace in Baja California. As their sojourn exposes both the best and the worst of human nature, racism, greed, and paranoia prove as deadly as the merciless landscape around them.
Rudo & Cursi
6.7/10
Two brothers living a hard life of manual labor in rural Mexico have a simple dream: saving enough money to build their mother her dream house. But fate has other plans. A friendly game of soccer leads to first Rudo, then to Cursi being taken on by the nation’s top talent scout. Suddenly, they find themselves living the high life of star athletes: fame, fortune, fast cars and beautiful women.
Colosio
7.3/10
It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.
El Día de la Unión
4.8/10
Potosí
6.9/10
Potosi, a rural town in Latin America, is the crossfire of the ravaging that has devastated the north of the country. An accident along a deserted road connects three stories, an 82 year old goat herder that has not shot his gun in 40 years, a woman who is a victim of domestic violence and a humble peasant living on guard to protect his family from the country’s war against organized crime.
Open Cage
6.4/10
The economy has collapsed. In a universe of moral and economic impoverishment, we find Flavia, a spoiled teenager with artistic aspirations that are somewhat frustrated when she is not accepted at the University. Her neighbor Martin, a mature man with rigid routines, is her antipode. When Flavia meets Martin, there are sparks of friction at all times, and the situation is unlikely to get any better.
Ladies Mafia
4.4/10
Raging Sun, Raging Sky
5.9/10
A story of love, sex and destiny, by director Julian Hernandez. Youthful Kieri and Ryo share a deep and passionate love for each other. Kieri sets off in search of his soul mate after Ryo is kidnapped. A female spirit is with Kieri as he searches for Ryo. Ryo escapes and the pair will have to work hard to prove their love for each other as obstacles are placed in their path along the way.
The Load
6.6/10
Late sixteenth century. A Tameme Indian man and a noble Spanish woman flee through the forests of the New World in search of freedom. Their frantic journey softens the tension between them and dissolves their longstanding differences and creates intimate bonds that threaten their very survival.
Polar Bear
6.6/10
Heriberto gives a lift to a school reunion to two friends (Flor and Trujillo). In the way, we find out that they were his worst bullies.
Assault on the Cinema
5.9/10
The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship
Tamara and the Ladybug
7.6/10
Tamara has Intellectual disability and a love for ladybugs. One day, she decides to take care of a baby but she forgets where she took him from, so she will get assistance from the old lady who sell quesadillas so they can return the baby to his parents.
Reacciones adversas
6.6/10
Daniel is a young man suffering from low selfesteem, who is incapable of defending himself from the abuses of employers and of society in general. He is medicated with antidepressants to make his monotonous life more bearable; however, far from helping him, the medication worsens hiscondition with hallucinations and psychotic thoughts of vengeance that lead him to a state of total confusion.
Northless
6.8/10
Andres reaches the Mexican border to cross into the United Sates. There between each attempt, he discovers that Tijuana is a troubled city. As he waits there, Andres is not only confronted with his feelings and what he left behind, but also with those he meets.
Killing Strangers
4.5/10
A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.
La venada
