The best Hanna Skarżanka’s drama movies
We present our ranking of the best Hanna Skarżanka’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Hanna Skarżanka.
The Wedding
7/10
Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.
A Generation
7.1/10
Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives. A coming-of-age story of survival and shattering loss, A Generation delivers a brutal portrait of the human cost of war.
Young Chopin
6.6/10
As directed by Aleksander Ford in 1952, this Polish-language period drama chronicles the life, times and accomplishments of revered Warsaw-born Romantic composer Frederic Chopin, here played by Czeslaw Wollejko (Danton). The feature focuses exclusively on the youth of Chopin (who died at age 39), spanning his 15th year (c. 1825) through his 21st year (c. 1831); it also depicts Chopin as both prodigiously gifted and one filled with a tremendous spirit of Polish nationalism. Ford concludes with the onset of the illness that eventually killed Ford, set against the backdrop of the famous November Uprising in 1830.
Matthew's Days
7.1/10
A man who is socially inept and out of touch with the world lives with his sister in a small farmhouse. The overly sensitive man lives off his hard-working sibling, taking odd jobs as he gets them to secure his meager earnings. When he brings home a woodcutter from the forest, the sister and the newcomer fall in love. Terrified over a life without his sister, the man can't cope and decides to kill himself. This depressing tale of alienation, doubt and uncertainty was the Polish entry at the Cannes Film Festival in 1968.
A Year of the Quiet Sun
7.1/10
Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...
Soból i panna
4.6/10
Wherever You Are...
6.4/10
Five from Barska Street
6.3/10
In war-ravaged Warsaw, five juvenile delinquents are given probation for stealing, to rehabilitate themselves, but remain under the influence of their profiteer-boss.
Little Dramas
7/10
The film opposes the view that childhood is the happiest time of our lives. Childhood dramas are deeply etched in memory and leave a permanent imprint on our consciousness. The Carousel Part I. Little boys from a small town want to take a ride on the carousel but they have no money. They push the carousel for hours. They hope that the owner will eventually give them a free ride. In the evening, however, they are already too tired to take up his offer. They are allowed a ride, but they refuse. The Fall of a Millionaire Part II. A ten-year-old boy wants to impress his friends. He is feeble and shy, but he has a piggy bank, which becomes the object of desire for his peers. He tells the other boys that he will soon buy a bicycle from the accumulated savings. When the bank is broken into pieces, the myth of the millionaire is shattered. There are only banknotes painted by the little dreamer. Joanna Piątek, Leksykon polskich filmów fabularnych, Warszawa 1996
Little Hamlet
5.6/10
In Little Hamlet, Skolimowski shows his predilection for immature or dwarfed characters, who would later populate his full-length films. Here a group of Warsaw proletarians meet in a destroyed building, consisting largely of stairs, littered with newspapers. A song from a record introduces the film characters as dwarfed versions of personas from Shakespeare’s Hamlet: Hamles, Ofelka, Learcio. (EMK)
My Mother's Lovers
6.7/10
Rafal takes care of his dysfunctional carefree mother who is more interested in men, pills and alcohol than in the problems of her young yet very mature son.
The Law and the Fist
7.3/10
At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.
