The best Gregory Itzin’s romance movies
If you love cinema, you will share this ranking of the best Gregory Itzin’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Gregory Itzin.
Teen Wolf
6.1/10
When a shy teenager's new-found powers help him score at basketball - and with the popular girls - he has some pretty hairy decisions to make.
The Fabulous Baker Boys
6.9/10
The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer.
Life or Something Like It
5.8/10
A reporter Lanie Kerrigan interviews a psychic homeless man for a fluff piece about a football game's score. Instead he tells her that her life has no meaning and is going to end in just a few days, which sparks her to action, trying to change the pattern of her life...
Hard to Hold
4.8/10
Details the efforts of a pop-rock star (James Roberts / Rick Springfield) to win the love of a woman he meets in a car accident. None of the usual gambits work on this woman, who has never heard of him. Complications arise involving the ex-girlfriend Nicky, who is still in his band.
The Other Woman
6.9/10
After losing his wife of 28 years in a skiing accident, widower Lou Chadway (Hal Linden) falls for and marries his daughter's sexy roommate but soon learns that he has absolutely nothing in common with her. Peg Gilford (Anne Meara) is a divorced grandmother who comes along to take Lou's mind off her and they embark on a secret love affair.
Miss Lonelyhearts
6.8/10
Although based on Nathanael West's novel that essentially trashes the journalist's trade as cold-hearted and Machiavellian, director Michael Dinner has opted to make his journalist a pathetic figure instead. The story centers on a reporter who is trapped into writing the "Miss Lonelyhearts" column for a local newspaper and then slowly comes apart emotionally and psychologically as he gets involved with the troubles of his readers. While the plot of the film remains solid, the characterization of the journalist changes the intent -- and whether that is for better or worse will depend on the viewer.
