The best Grégoire Monsaingeon’s movies

Grégoire Monsaingeon

Grégoire Monsaingeon

If you love cinema, you will share this ranking of the best Grégoire Monsaingeon’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Grégoire Monsaingeon.

Montparnasse Bienvenüe

Montparnasse Bienvenüe
6.5/10
  • Genre: ComedyDrama
  • Release: 01/11/2017
  • Character: Joachim
Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.

Augustine

Augustine
6.1/10
  • Genre: DramaHistory
  • Release: 07/11/2012
  • Character: Pierrot
Set in Belle Époque France, the story follows nineteen-year-old "hysteria" patient Augustine, the star of Professor Charcot's experiments in hypnosis, as she transitions from object of study to object of desire.

Head Above Water

Head Above Water
6.4/10
  • Genre: Drama
  • Release: 05/12/2018
  • Character: Luc
Elisa, a fiery and passionate teenager, wants to enjoy the summer of her 17 years on the steep slopes of the Vercors where she grew up. But her mother leaves the house and leaves her alone with her father to look after her disabled sister. An increasingly heavy responsibility that makes love switch to hatred.

You'll Be a Man

You'll Be a Man
6.8/10
  • Genre: ComedyDrama
  • Release: 15/05/2013
  • Character: Le père de Léo
Léo is 10 and wise beyond his years. A solitary dreamer who seeks refuge in books. When the carefree 20-year-old Théo steps into his life, it forces Léo out of his shell. Despite their age difference, the two becomes best friends, helping each other face up to their responsibilities.

Léo la nuit

Léo la nuit
  • Release: 15/10/2021

Trepalium

Trepalium
6.4/10
It’s the end of the 21st century and society is in decline. The economic situation is a nightmare: only 20% of the population is actively employed while everybody else is jobless. On one side, the Jobless—hungry, thirsty, in a state of total abandon. On the other, the Actives—forever terrorized by the idea of losing their jobs. Separating them is a wall. Each camp expresses one facet of the same suffering; work, or the absence of it.

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