The best Grégoire Leprince-Ringuet’s romance movies
Today we present the best Grégoire Leprince-Ringuet’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Grégoire Leprince-Ringuet’s movies.
The French Dispatch
7.1/10
The quirky staff of an American magazine based in 1970s France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.
Love Songs
7/10
Ismael and Julie, who in the hope of sparking their stalled relationship, enter a playful yet emotionally laced threesome with Alice. When tragedy strikes, these young Parisians are forced to deal with the fragility of life and love. For Ismael, this means negotiating through the advances of Julie's sister and a young college student – one of which may offer him redemption.
Strayed
6.5/10
Fleeing the June 1940 arrival of Hitler's army in Paris, a young war widow and her two children are rescued from dive-bombing German fighters by a cocky, reckless teenager. He finds them refuge in an abandoned house, but despite the fact that the family quickly comes to be depending much on his cunning and survival abilities, their cohabitation proves uneasy.
The Princess of Montpensier
6.5/10
Set in the high courts of 16th Century France, where the wars of religion between Catholics and Protestants are raging. Marie de Mézières, a beautiful young aristocrat, is in love with Henri de Guise, but her hand in marriage is promised to the Prince of Montpensier.
The Black Book of Father Dinis
5.3/10
The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.
Roses on Credit
5.1/10
A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.
An Hour with Alice
6.6/10
Alice and Paul both study at the Sorbonne University in the Latin Quarter. After a course, Paul, who is attracted to Alice, starts talking with her. They share the same ideas about philosophy and today's philosophers but while they go on with their conversation they realize that as far as cinema is concerned they are not at all on the same wavelength
