The best Grande Otelo’s comedy movies

Rich girl travels with her fiancé (a cousin) to the family farm, where they're going to marry. But finds another cousin in love with her who does everything to hamper the wedding.

Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.

A rock singer goes to Brazil to shoot a video, but winds up getting kidnapped and enduring a number of seemingly bizarre and hilarious events.

A dysfunctional family, composed of a prostitute and two gays, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.

A gang, leaded by the unknown and mysterious Anjo, robs a jewelry and schedules a meeting in the Copacabana Palace Hotel, in Copacabana. The identification would be through a cigarette case with an angel, and the password "- Is everything all right?" Meanwhile, the director Ricardo is preparing a show for the carnival in the hotel with Marina, and they love each other. The janitor Serafim receives a letter from his unknown American brother, who will come to Rio to spend the carnival and meet him, and asks Eliana for a chance in the show, since his brother believes he is an artist. When Ricardo finds the cigarette case lost by Anjo in the entrance of the hotel, he is misidentified by the thieves, and this is the beginning of lots of confusion and fun.

After the success of the first Brazilian space mission, a scientist intends to accomplish an even more audacious feat. His goal is to launch into space the Nationalist rocket II, this time taking two humans to the moon.

In a workshop there are six workers, the six are brothers. Enter the mother who asks them to rescue the seventh brother, the youngest, Luis. The brothers hesitate because the youngster keeps getting into trouble, but they end up giving in to the request. Gangsters are fighting in a bar and the workers end up getting into the fray.

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

Orson Welles goes to Brazil to shoot his documentary It's All True.