The best Graciela Borges’s movies
Today we present the best Graciela Borges’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Graciela Borges’s movies.
La Ciénaga
7.1/10
Mecha and Gregorio are at their rundown country place near La Ciénaga with their teen children. It's hot. The adults drink constantly; Mecha cuts herself, engendering a trip to the hospital and a visit from her son José. A cousin, Tali, brings her children. The kids are on their own, sunbathing by the filthy pool, dancing in town, running in the hills with shotguns, driving cars without licenses. One of the teen girls loves Isabel, a family servant constantly accused of stealing. Mother and son, son and sisters, teen and Isabel are in each other's beds and bathrooms with a creepy intimacy. With no adults paying attention, who's at risk?
The Quietude
6.2/10
Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.
The Weasel's Tale
7.2/10
A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.
Kindergarten
4.8/10
The movie focuses on the marriage of Graciela and Arturo, who operate a kindergarten in their mansion. They live with Graciela's widowed mother, Luisa. Graciela is particularly keen on one boy, Luciano, on whom she makes sexual advances. As the movie progresses, the relationship between Graciela and Arturo tenses. Scenes show them celebrating kids' birthdays while having sex in hiding, practicing a ritualistic burning of a wrecked car, mistreating their comatose grandfather (victim of said car wreck) and generally torturing Luciano.
El espejo de los otros
6.2/10
The Cenacle, a unique restaurant offers single-table work. In a ruined temple every night there is a last supper. Diners sitting at the table, define something important in their lives. Four stories plus the secret that bond the owners. Superb music.
Poor Butterfly
7.4/10
A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.
The Terrace
6.7/10
Adapted from a story by Beatriz Guido. A group of young people from high society are enclosed, for fun, on a terrace in a charming building in Buenos Aires. His parents try to get them out, but young people threaten to jump into the void if adults enter the terrace.
Martín Fierro
6.2/10
The story of rebel gaucho Martin Fierro, his people, and their life in the Argentine Pampas. Based on José Hernández's epic poem.
El Rey en Londres
The film shows as a documentary the trip to London of Palito Ortega and Graciela Borges
Widows
6.3/10
A married man's death puts his widow and mistress in an unusual living arrangement.
Circe
6.5/10
Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.
Miss Tacuarembo
6.1/10
Miss Tacuarembó is a unique mixture of drama, comedy, musical with touches of parody and nostalgia which for its beautiful narration will attract many open-minded viewers not only in Latin American world. The story of Natalia, the main hero, and her life's struggles is shown in different three eras of her life.
The Hands
7/10
The priest Mario Pantaleo discovers he has some power to diagnose and cure diseases through the laying on of hands. But the police and the church hierarchy will against him.
The Boss
7.3/10
The head of a criminal gang has all the power among his men until one decides to testify against him.
Heroína
7/10
A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.
Vení conmigo
4/10
Racconto
5.8/10
Cortázar y Antín: cartas iluminadas
Zafra
6.5/10
A social drama centered on the miserable conditions experencied by cane cutters in Argentina's north.
Brother and Sister
6.4/10
They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.
