The best Grace Phillips’s drama movies

Grace Phillips

Grace Phillips

Today we present the best Grace Phillips’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Grace Phillips’s movies.

Crimes and Misdemeanors

Crimes and Misdemeanors
7.8/10
  • Genre: ComedyDrama
  • Release: 13/10/1989
  • Character: Bride
An ophthalmologist's mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.

Quiz Show

Quiz Show
7.5/10
  • Genre: DramaHistory
  • Release: 25/08/1994
  • Character: Mrs. Nearing
Lawyer Richard Goodwin discovers that 'Twenty-One', a successful TV quiz show, is rigged and decides to expose the team behind the show.

Truth or Consequences, N.M.

Truth or Consequences, N.M.
6.3/10
Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss Tony Vago. (Lembecke was innocent and took the rap for Vago.) Lembecke thinks Vago owes him big time so, when his former boss gets him a measly job in a warehouse, he decides on revenge and plans to steal a million dollars worth of drugs from him.

All the Vermeers in New York

All the Vermeers in New York
6.4/10
A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

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