The best Gosia Dobrowolska’s comedy movies

In the remote Alpine village of Tolzbad at the turn of the century, people talk quietly and restrain their movements lest avalanches come and kill them. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sound film, complete with intertitles, deliberately crackly soundtrack and 'hand-tinted' colour effects.

Two women escape to the mountains where they enjoy each others company, apparently disappointed with their male partners.

Uplifting and intimate look at the last days of an elderly cancer victim. The film is even more relevant as it was written specifically for the lead actress, Sheila Florance, who was in fact dying of cancer as she created what is essentially a self-portrait.

Jerzy Stuhr wrote, directed, and starred in this drama about a man sworn to uphold the law who applies a very different moral code to himself than he does to others. As Adam Borowski, Stuhr plays a government lawyer prosecuting a variety of cases, including smuggling, theft, child abandonment, and racially motivated assault. However, Adam's own life is hardly a model by which to live. He's overextended himself financially and is trying to figure out how to avoid paying the hospital bills for his terminally ill mother. Adam is married, but he's been having an affair for some time, and, while he breaks off his relationship with his mistress, he's easily tempted into other liaisons. His wife wants to adopt a handicapped child; Adam would prefer not to have another child in the house, and he uses his influence to slow up the paperwork. And in order to reduce his tax bill, Adam has involved himself in a charitable donation scheme of dubious legality.