The best Gordon Jackson’s history movies
If you love cinema, you will share this ranking of the best Gordon Jackson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Gordon Jackson.
The Great Escape
8.2/10
The Nazis, exasperated at the number of escapes from their prison camps by a relatively small number of Allied prisoners, relocate them to a high-security 'escape-proof' camp to sit out the remainder of the war. Undaunted, the prisoners plan one of the most ambitious escape attempts of World War II. Based on a true story.
Mutiny on the Bounty
7.2/10
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny.
Kidnapped
6.2/10
Scottish orphan David Balfour is betrayed by his wicked uncle Ebeneezer, who arranges for David to be kidnapped and sold into slavery so that he cannot claim his inheritance. The boy is rescued and befriended by Alan Breck, a Scottish rebel fighting on behalf of his country's independence from the British.
Malta Story
6.5/10
In 1942 Britain was clinging to the island of Malta since it was critical to keeping Allied supply lines open. The Axis also wanted it for their own supply lines. Plenty of realistic reenactments and archival combat footage as the British are beseiged and try to fight off the Luftwaffe. Against this background, a RAF reconnaissance photographer's romance with a local girl is endangered as he tries to plot enemy movements.
Eureka Stockade
6.4/10
Spectacular account of the infamous Eureka Stockade, and the events leading up to it.
The Shooting Party
6.8/10
1913, shortly before the outbreak of WWI. A group of aristocrats gathers at the estate of Sir Randolph Nettleby for a weekend shoot. As the terminal decrepitude of a dying class is reflected in the social interactions and hypocrisy of its members, only world weary Sir Randolph seems to realise that the sun is setting.
