The best Gordon Alexander’s drama movies
If you love cinema, you will share this ranking of the best Gordon Alexander’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Gordon Alexander.
The Courier
This intense action-thriller unfolds in real time as two embattled souls fight for their lives. Gary Oldman stars as a vicious crime boss out to kill Nick, the lone witness set to testify against him. He hires a mysterious female motorcycle courier to unknowingly deliver a poison-gas bomb to slay Nick, but after she rescues Nick from certain death, the duo must confront an army of ruthless hired killers in order to survive the night.
School's Out Forever
5.4/10
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world's population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark's School for Boys is in short supply. Its high walls can't stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn't helping him concentrate on staying alive.
Somewhere Only We Know
5.1/10
Jin Ying is currently experiencing two of life’s most depressing moments: She is jilted by her fiancé, and her loving grandmother passes away. Heartbroken, she decides to visit the European city of Prague, and hopes to use the time to heal her inner pain. While in Prague, she meets a young Chinese man named Punk. There, she slowly unravels a secret romance her grandmother once experienced long ago.
To Die For
5.5/10
Simon and Mark live together in London. When Mark dies of AIDS, Simon gets on with his life rather quickly, too quickly to suit the ghost of Mark, who reappears to disrupt Simon's cruising and then moves back into their flat to prompt Simon to experience and express feelings. Simon is adamant that feelings, especially love, are not for him. Subplots develop as Mark and Simon observe their neighbor Siobhan's love life and as Simon spends his days as a satellite-TV installer partnered with Dogger, a homophobe ignorant that Simon is gay. Is there any key that can unlock Simon's feelings and allow Mark to rest in peace?
