The best Gloria Hendry’s action movies

Gloria Hendry

Gloria Hendry

03/03/1949 (75 años)
Today we present the best Gloria Hendry’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Gloria Hendry’s movies.
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Live and Let Die

Live and Let Die
6.7/10
James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

Across 110th Street

Across 110th Street
7/10
In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

Black Caesar

Black Caesar
6.4/10
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage.

Savage Sisters

Savage Sisters
4.8/10
A corrupt General plans on smuggling one million US dollars out of the Banana Republic he dominates. Local revolutionaries plan on stealing the cash but are thwarted when a bandit leader they are working with double crosses them. A tough cop and her boyfriend help two of the female revolutionaries escape from prison hoping that they will lead them to the cash, which they plan on keeping for themselves.

Bare Knuckles

Bare Knuckles
5.4/10
A bounty hunter in Los Angeles sets out to track down and stop a masked serial killer who murders women by using kung-fu moves.

Black Belt Jones

Black Belt Jones
6.2/10
Jones is a secret agent who has gone into semi-retirement, concentrating instead on teaching the martial arts to inner city youths. The karate school is run by a kindly old coot named Pops ,played by Scatman Crothers. His gambling debts, however, bring the local thug, Pinky, down on him. To make matters worse, Pinky is then hired by some white thugs who want to get a hold of the property Pops' school occupies so they can build a shopping mall. When things get heavy, Black Belt Jones leaps into action. Only he's not alone. Pops' daughter, Sidney, shows up to lend a hand, proving herself every bit as agile and powerful a martial artist as Jones.

Slaughter's Big Rip Off

Slaughter's Big Rip Off
5.8/10
Vigilante Slaughter comes under attack from Duncan, a local money launderer whose hit-man traps Slaughter in a car at a cliff, but Slaughter escapes, arms himself, and goes after Duncan's hideout.

Hell Up In Harlem

Hell Up In Harlem
5.9/10
Tougher than Shaft and smoother than Superfly, this high-voltage sequel to Black Caesar explodes with enough action to incinerate New York City. Packed with machine-gun mayhem and riveting adventure, Hell Up in Harlem is nothing less than a modern-day tribute to the classic 30s gangster film. Fred Williamson is Tommy Gibbs, a fearless, bulletproof tough guy who blasts his way from the gutter to become the ultimate soul brother boss. Tommy steals a ledger with the name of every crooked cop and man in the city. Enlisting the aid of his father and an army of Harlem hoods, Gibbs goes from defense to offense, launching a deadly attack on his enemies that sets off a violent chain reaction from Harlem all the way to the Caribbean, climaxing in one of the hottest turf-war shoot-outs in Hollywood history.

BaadAsssss Cinema

BaadAsssss Cinema
6.9/10
With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

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