The best Gloria Foster’s drama movies

This gritty inner-city film follows various people living in a troubled New Jersey setting, most notably Nick Rinaldi, a disillusioned contractor who has been helped along his whole life by his wealthy father. Other characters in this ensemble drama about urban conflict and corruption include Asteroid , an unstable homeless person, and Wynn, an idealistic young politician.

American and British tourists get caught up in political unrest in Haiti.

A proud black man and his school-teacher wife face discriminatory challenges in 1960s America.

A dramatization of the American court case that destroyed the legal validity of racial segregation. One of the most pivotal moments in 20th century American history is bracingly dramatized in Separate but Equal. In telling the detailed story of the Supreme Court's 1953 decision to abolish racial segregation in schools, this superb 1991 TV movie covers a broad spectrum of issues, never taking its "eyes off the prize" while its first-rate cast conveys the importance of the Supreme Court's ultimately unanimous decision.

Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for Fanny's medicine. Finally, a black fellow appears from nowhere in the Mishkin kitchen. He says he's an angel from God, sent to help Mishkin. The black angel is even Jewish, named Alex Levine? But will Morris believe in the angel? And can the angel perform the miracle that he promises?

Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a sense of despair due to the racial prejudices of American society. There is no patronizing of the black race in this cinematic cry for justice. A fifteen-year-old boy called Duke is ambitious to buy a "piece" (a gun) from an adult racketeer named Priest, to become president of the gang to which he belongs, and to return them to active "bopping" (gang fighting) which has declined in Harlem. It is a clearly patent allegory of an attempt by Duke to attain manhood and identity in the only way accessible to him - the antisocial one.