The best Giuseppe Cederna’s drama movies

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?

Creasy, a traumatized ex-CIA agent, gets a job as a bodyguard for Samantha, the twelve-year-old daughter of a wealthy Italian family living in a swanky villa on the shores of Lake Como.

Teo has a good job, a fiancee, a lover, no intention to assume any responsibility in his life. The meeting with Emma, a blind woman, will upset his convictions.

The last years of Bettino Craxi, one of the most important and controversial italian leader of the 1980's.

Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello's future.

After the 8th September 1943 north of Italy is occupied by Germans. Italian army collapsed and the soldiers are escaped to the mountains trying to set up a resistance. Many civilians did the same and Johnny, an English literature student, is among them. Johnny avoids to band together the red partisans (communists) and tries to be part of the azure bands (former regular soldiers). But in both cases he is deluded by the partisan bands and discovers that the partisan war is less poetic and genuine that he thought. At one point anyway the partisans free Alba from Germans. When the city falls again in German hands Johnny escape with Ettore and Pierre. But, one after another, German army and Italian fascists captures the partisans and Johnny will pass the winter alone and isolated. He then finds the way to participate to one of the last attack to occupants, in fact the war will be over two months later.

Two segments: In the first one Felice, a baritone who has had to give up his career because of a heart condition and now works as an accountant at the Opera, inexplicably spends his nights laughing in his sleep. When his best friend, a cripple, takes his life and his wife abandons him Felice decides to die himself. In the second segment two kidnappings in Sicily, the second of which took place a century before the present one, are compared.