The best Giorgi Kipshidze’s movies
Today we present the best Giorgi Kipshidze’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Giorgi Kipshidze’s movies.
Brighton 4th
6.8/10
Follows Georgian ex-wrestler’s journey to Brooklyn, New York. His aim is to get his son out of a gambling debt. He meets people who help him and people who ignore him.
The Breeder
3.4/10
Amy and Sophie, two young American foreign aid workers, are hiking through the mysterious Caucasus Mountains. Lost, they stumble upon a place that doesn't exist on any map, and is completely cut off from the rest of the world. No telephones, no roads, just the dark, looming, ominous mountains. In this archaic world one man strikes fear into the hearts of all. The Breeder kidnaps young women stained by sin, fallen angels such as Sophie. Provoked by her naked swim in a lake, he violently abducts Sophie and takes her to his breeding station, a secret former Soviet laboratory.
Wine Reflections
7.2/10
A French policeman, a wine grower from Georgia, a couple of young actors in London, an Italian priest. Four stories of change in people through the prism of a drink that accompanies human passions for 8000 years.
Salt White
6.3/10
Nowadays, Nino and Niko's closed world is disrupted and changed forever by the homeless Sopo. She points Nino to a new path - the path of hope.
The Guardian
7.7/10
After 16 years of imprisonment, 40-years-old Gogliko is released from jail. He doesn't exactly know what he did that deserved 16 years of jail time. A free man, a changed country awaits him. His personal life has drastically altered. His parents have passed and most of his friends have died during the Civil War period. Gogliko realizes that he will not be able to find his place in this "new" Georgia, only thing he has to do is to care about his passed friend's 16-years-old son.
Street Days
7.7/10
A middle-aged, unemployed heroin-addict, Checkie, loiters on the Tbilisi street outside his son’s school, where he himself was once a promising student. His wife, meanwhile, struggles to pay the tuition and understand her husband’s lack of interest in the family’s survival—even as the bank repossesses their furniture. But when a group of policemen blackmails Checkie into entrapping the son of his wealthy friend, husband and wife are unified by the uncertainty of their deepening moral dilemma, and a series of worsening foul-ups, in Levan Koguashvili’s lightly humorous yet realistic drama about the fate of a generation left behind in Georgia’s post-Soviet era.
