The best Ginny Simms’s movies

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Cole lead to a meeting at the alter. More than 20 Porter songs grace this tail of triumph and tragedy, with Grand lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Wooley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Standards embraced by generations are yours to enjoy in "Night and Day."

Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox), they also meet old friend Johnny Long (Johnny Long) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers, but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks.

The manager of Kay Kyser’s band books them for a birthday party bash for an heiress at a spooky mansion, where sinister forces try to kill her.

Broadway producer Johnny Demming is only interested in big-name talent and scoffs that his sister, father and other small-time talent could be used in a successful show.

Soldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's Civil War enemy, General Havelock-Allen. Not wanting to disrupt his planned marriage to Mapy, Johnny must figure out how to concoct a temporary marriage-of-convenience with the descendant -- who turns out to be the beautiful Terry Havelock-Allen.

J. D. Forbes, head of the almost-bankrupt Four Star Studios in Hollywood contacts band leader Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," to appear in films. When manager Chuck Deems gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the prospect of going to Hollywood and working in the movies, but band-leader Kay is all against it and says his old grandmother has told him to stay in his own back yard, but he relents. Once there, Stacey Delmore, a Four Star associate producer left in charge of the studio while Forbes is out of town, discovers that the screenplay writers have prepared a script that has Kay Kyser playing a glamorous lover in an exotic European setting.

A radio disc jockey is about to lose his program's sponsor because the sponsor believes that television viewing is cutting down the size of the listening audience for radio programs, and those featuring platter-spinning radio disc jockeys. He sets out to prove otherwise and calls on twenty-eight disc jockeys in major cities across the United States to help prove his contention. (Les Adams/IMDB)