The best Gillian Tan’s movies

Gillian Tan

Gillian Tan

11/11/1980 (43 años)
We present our ranking of the best Gillian Tan’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Gillian Tan.

Hitman: Agent 47

Hitman: Agent 47
5.7/10
An assassin teams up with a woman to help her find her father and uncover the mysteries of her ancestry.

Witchville

Witchville
3.8/10
When Prince Malachy returns to his father’s kingdom after the Crusades his first impression is that a bad harvest is the reason that the villagers are sick and hungry. But all is not as it seems and a stranger to the village, warns the new king that a dark force is the cause of their ills.

In the Room

In the Room
4.5/10
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.

Love... And Other Bad Habits

Love... And Other Bad Habits
5.8/10
  • Genre: Romance
  • Release: 14/02/2013
  • Character: Leona
LOVE... and other Bad Habits is a light-hearted, sometimes heartfelt, look at three different kinds of relationships in Singapore, from teen infatuation to the nuances of adult relationships.

The Black Rabbit

The Black Rabbit
4.1/10
  • Release: 08/12/2007
  • Character: Mei-Li Wu
Mark Watson used to lead a double life. One as a loving husband, and the other as a spy for the U.S. government. The past comes back to haunt Mark in the form of The Hatter; and international crime lord Mark had once spied on. It is here that The Hatter gives Mark the ultimate ultimatum. And Mark soon discovers that becoming a spy for The Hatter involves more than just pretending to be a fictional person... but actually becoming one.

Shadows of Fiendish Ancestress And Occasionally Parajanov on Durian Cialis

Shadows of Fiendish Ancestress And Occasionally Parajanov on Durian Cialis
In an island perpetually suspended by Asian values, the spirit of a dionysian culture lays dormant. What stays awake is the daily repression of sensuality in the name of a constructed morality naturalised by the weight of history. Within this landscape, underground director Chew Tze Chuan continues the search for depictions of native sexuality in history which remains undocumented and only whispered about. With reference to native historical texts and the mythological and religious depiction of the 'Holy Whore', Chew constructs a mythology of a hermaphrodite who comes to town to impart a wisdom that proves to be too carnal and untimely. Years in the making and strung together with documentary-like footage of orgiastic happenings, punctuated with moments of refrain into randomness, the film soon escalates into a schizophrenic psychedelia of multicultural and polymorphous sexuality.

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