The best Gillian Bevan’s movies
Today we present the best Gillian Bevan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Gillian Bevan’s movies.
Ghostwatch
7.4/10
For Halloween 1992, the BBC decides to broadcast an investigation into the supernatural, hosted by TV chat-show legend Michael Parkinson. Parky (assisted by Mike Smith, Sarah Greene & Craig Charles) and a camera crew attempt to discover the truth behind the most haunted house in Britain. This ground-breaking live television experiment does not go as planned, however.
London Road
5.3/10
London Road is a musical drama that documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy.
Hamlet
6.8/10
From its sell-out run at Manchester's Royal Exchange Theatre comes a film version of this unique and critically acclaimed production of Hamlet with BAFTA-nominee Maxine Peake in the title role. This ground-breaking stage production, directed by Sarah Frankcom, was the Royal Exchange's fastest-selling show in a decade.
Balls
6.2/10
Balls takes as its starting point Heathcliff, the foundling character central to Wuthering Heights, and explores links between the Foundling Hospital story and the much-loved novel by Brontë. Cole’s film is inspired by two separate but intertwined stories; the real lives of desperate women and the babies they gave up to the care of the Foundling Hospital, which are meticulously documented in the Hospital’s archives; and Heathcliff, the foundling antihero in Wuthering Heights. Set in modern day Liverpool, the film shines a light on how the lives of women, celebrated or unknown, were so circumscribed by society in the eighteenth and nineteenth centuries, and considers the extent to which progress has been made.
Royal Shakespeare Company: Cymbeline
7.3/10
Britain is in crisis. An ineffectual Queen Cymbeline rules over a divided dystopian Britain. Consumed with grief at the death of two of her children, Cymbeline's judgment is clouded. When Innogen, the only living heir, marries her sweetheart Posthumus in secret, an enraged Cymbeline banishes him. Behind the throne, a power-hungry figure plots to seize power by murdering them both. In exile Innogen's husband is tricked into believing she has been unfaithful to him and in an act of impulsive jealousy begins a scheme to have her murdered. Warned of the danger, Innogen runs away from court in disguise and begins a journey fraught with danger that will eventually reunite Cymbeline with a long-lost heir and reconcile the young lovers.
