The best Ghyslain Tremblay’s movies
Today we present the best Ghyslain Tremblay’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ghyslain Tremblay’s movies.
The Widow of Saint-Pierre
7.1/10
In 1850, on the isolated French island of Saint-Pierre, a murder shocks the natives. Two fishermen are arrested. One of them, Louis Ollivier, dies in custody. The other, Neel Auguste, is sentenced to death by the guillotine. The island is so small that it has neither a guillotine nor an executioner. While those are sent for Auguste is placed under the supervision of an army Captain.
Shooting Star
5.7/10
Four talented women become finalists in a singing competition.
The Revenge of the Woman in Black
5.1/10
A psychotic man and an obsessed police officer make life unbearable for an unlucky actor by making him the scapegoat for a string of kidnappings.
Hot Dogs
4.8/10
Mr. Clean (Harry Reems) is a police detective who heads a special task force of the vice squad. Clean's by-the-book attitude makes him none too popular with his underlings, so they try to fake a sex scandal that will cause him to be fired from the force.
Le chemin de Damas
7.2/10
The Case of the Witch Who Wasn't
6/10
Two girl pen pals and a simple summer in the country. They befriend a woman rumored to be a witch, and end up as amateur detectives when her pet pig is stolen.
The Red Kitchen
5.4/10
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
Premier juillet, le film
5.3/10
