The best Germain Wagner’s movies

Vienna, Austria, 1910. The young painter Egon Schiele is a rising artist, provocative and free, whose work, characterized by eroticism, shocks as much as it fascinates art lovers.

The film is set in 1521 Antwerp, in a Europe ravaged by religious wars, and during the early years of the Reformation. It tells the story of the twelve year old, Falko Voeten – a printer’s son. When Falko’s father, Klaas Voeten, a printer of forbidden literature, is caught by the Inquisition for printing a letter written by Maarten Luther; Falko is unwittingly propelled into helping his father and into searching for the letter. Threatened by the Inquisition but aided by Marieke, a Catholic orphan girl from the underground sewers, Falko is faced with a race against time if he is to save his father from being executed for heresy.

Journalist Denis Robert sparked a storm in the world of European finance by denouncing the murky operations of banking firm Clearstream. His quest to reveal the truth behind a secret world of shadowy multinational banking puts him in contact with an ever-expanding anti-corruption investigation carried out by Judge Renaud Van Ruymbeke. Their paths will lead them to the heart of a political/financial intrigue, which will rock the foundations of Europe and the French government itself.

A psychedelic mushroom trip turns a successful lawyer into a wanted man.

A drama loosely based on Jean Bernard's Nazi-era prison diary.

Angela Merkel's decision in autumn 2015 to open the borders for refugees split the country - some praised the moral stance, others criticized the surrender of sovereignty. Yet what would appear to be well-planned activity is in reality a policy of muddling along, chance, trial and error. The Driven Ones is a chronicle of the refugee crisis which shows that the political actors are being driven along, crushed between self-imposed constraints and events that have spun out of control.

Like every year, André, manager of a company named ALTER NATIVE that furnishes sanitary article, invites his seven employees to a quietly festive Christmas weekend. Yet, unlike the years before, André has bad news. He is terminally ill and wants to hand over his company to one of them. He will announce his successor in the course of the weekend. His collaborators immediately turn into competitors. When his own son, Philippe, whom nobody knew about, makes a sudden appearance, cards are redistributed, but suspicion quickly arises that André plays a deceptive game. While his employees, in a crazy race behind the back of the others, try to make their mark, Philippe tries to understand the obscure game his father is playing. And what role does the hotel owner play in all this? Jingle bells? Jingle bells!

After the death of uncle Olivier, his estate, a small chateau in Provence and the small town's only undertaker firm in its cellar, befall equally and jointly to his local stepson André Vidal, who runs the business since Olivier semi-retired ill, and German cousin, business consultant Charlotte. She arrives from Frankfort to sell the estate at the skyrocketing prices for such idyllic hospitality industry sites. André is shocked, determined to preserve the town's social fabric by preserving Olivier's heritage, and disappointed she doesn't even recognize him as childhood best playmate. It turns out the backward taxes are a ticking bomb, which she sneakily intends to ignite, only André's charms and the lavender-scented bucolic way of life appeal ever more even to businesslike Charlotte.