The best Gérard Depardieu’s mystery movies

Gérard Depardieu

Gérard Depardieu

27/12/1948 (75 años)
Gérard Xavier Marcel Depardieu (born 27 December 1948) is a French actor, film-maker, businessman and vineyard owner. He is one of the most prolific character actors in film history, having completed approximately 170 movies since 1967. He has twice won the César Award for Best Actor as well as the Golden Globe award for Best Actor in Green Card. After he garnered huge critical acclaim for the title role in Cyrano de Bergerac, which landed him a nomination for an Academy Award, Depardieu acted in many big budget Hollywood movies. He is a Chevalier of the Légion d'honneur and Chevalier of the Ordre national du Mérite. He was granted citizenship of Russia in January 2013 and the same month became a cultural ambassador of Montenegro. In 2015 he left Russia declaring that he intends to give up the citizenship and to live in Belgium.

The Pariah

The Pariah
6.1/10
For more than 15 years, two Marseille friends and criminals battle the law, rival gangs, prison authorities and even mined beaches in order to survive.

Vidocq

Vidocq
6.4/10
Paris, 1830. In the heart of the town, Vidocq, a famous detective, disappears as he fights the Alchemist, an assassin that he has been pursuing for a few months. His young biographer, Etienne Boisset, decides to avenge Vidocq's death and takes the investigation on...

A Pure Formality

A Pure Formality
7.6/10
Onoff is a famous writer, now a recluse. The Inspector is suspicious when Onoff is brought into the station one night, disoriented and suffering a kind of amnesia. In an isolated, rural police station, the Inspector tries to establish the events surrounding a killing, to reach a startling resolution.

The Pact of Silence

The Pact of Silence
5.7/10
Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?

The End

The End
5.5/10
  • Genre: DramaMystery
  • Release: 14/02/2016
  • Character: L'homme
Depardieu plays an unnamed hunter and we join him and his dog as they depart for a nearby forest to snare some rabbits - or perhaps he's hunting for something far more elusive? His excursion soon progresses from carefree meandering to a palpable sense of placelessness and it doesn't take long before the hunter's dog disappears and he finds himself lost.

Baxter, Vera Baxter

Baxter, Vera Baxter
6/10
  • Genre: DramaMystery
  • Release: 08/06/1977
  • Character: Michel Cayre
In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.

Viktor

Viktor
3.8/10
After spending seven years in jail for an art heist, Frenchman Victor Lambert returns to Moscow to uncover the circumstances behind his son Jeremy's brutal murder. He is backed by his lover Alexandra, and by his ex-partner-in-crime, choreographer Souliman.

This Sweet Sickness

This Sweet Sickness
6.6/10
French filmmaker Claude Miller's This Sweet Sickness is based on a suspense novel by Patricia Highsmith, of Strangers on a Train fame. In the original, the murder-protagonist was a psychotic, pure and simple (if such words are appropriate here!) In Miller's version, the "hero," David, is a pathetic creature, motivated by humiliation and sexual inadequacy; thus the emphasis is not on his heinous crimes but on his warped personality. The director's noirish decision to stage much of the action in the dark, or the rain, or both, is a function of David's deep depression. As in his other films, Miller uses water as an omen of evil; you've seldom seen a more foreboding swimming pool than the one in This Sweet Sickness. The film was originally released as Dites-lui que je l'aime.

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