The best Geoffrey Beevers’s comedy movies

Geoffrey Beevers

Geoffrey Beevers

15/01/1941 (83 años)
If you love cinema, you will share this ranking of the best Geoffrey Beevers’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Geoffrey Beevers.

Foster

Foster
6.8/10
Some years after their son is killed in an accident, a married couple decide to adopt a child. One day a 7-year-old boy, Eli, unexpectedly arrives on their doorstep claiming to be from the adoption agency. Eli wears a suit every day and is very well-spoken for a child. He helps the adults to process their loss, which had stifled both their marriage and their toy business, and lets them embrace life again.

The Fortunes and Misfortunes of Moll Flanders

The Fortunes and Misfortunes of Moll Flanders
7.7/10
In her filthy cell in Newgate prison Moll Flanders, dubbed 'the wickedest woman in England' tells her story. Born in the gaol, after her mother is transported Moll is raised by the kindly mayor of Colchester and his wife, whose two sons lust after her. She enjoys sex with handsome Rowland, who teaches her that money talks, but, realizing he only wants her as a mistress, she marries his duller brother Robin, who conveniently dies after five years, leaving her wealthy. She goes to London, briefly meeting highwayman Jemmy Seagrove, and marries parvenu draper Daniel Dawkins, but he has huge debts and must flee to France, leaving Moll alone and poor. Moll meets handsome young American sea captain Lemuel Golightly, who marries her and takes her to Virginia and a good life style, along with his mother. They have two children and are blissfully happy until Moll discovers her mother-in-law is also her birth mother. She has married her own brother. She returns to England and poses as wealthy ...

My Wrongs 8245–8249 & 117

My Wrongs 8245–8249 & 117
6.6/10
  • Genre: Comedy
  • Release: 01/01/2002
  • Character: Cleric
Adapted from a monologue in his "Blue Jam" radio series, Chris Morris' first short film is a haunting black comedy about a man who no longer uses his name because he's decided he's ceased to deserve one, and a dog called Rothko who says he is the man's lawyer. As reality bleeds into hallucination, Rothko decides to take the man for a walk...

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