The best Gene Siskel’s movies
Today we present the best Gene Siskel’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Gene Siskel’s movies.
Life Itself
7.8/10
The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.
Don't You Forget About Me
6/10
Throughout the ’80s John Hughes defined the teen movie genre and spoke not only to that generation’s teens, but every generation that has followed. Then in 1991 he hung up his director’s hat and disappeared into obscurity ala J.D Salinger. In 2008, a group of young Canadian filmmakers set out to complete a documentary about the man with what they hoped would culminate with an interview, which would be his first since 1999.
AGFA MYSTERY MIXTAPE #3: SEQUELITIS
Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #3: SEQUELITIS is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For our third tape, we’re diving into the most controversial, hotly debated topic of all time: HORROR SEQUELS! Thank you for your generous support during these difficult times. And remember: “This makes Guns N’ Roses look like THE BRADY BUNCH.”
Mysteries of Love
7.2/10
Isabella Rossellini, Kyle MacLachlan, Dennis Hopper, Laura Dern, and producer Fred Caruso are interviewed for this 68-minute documentary about the making of David Lynch's Blue Velvet
A Confessional Documentary
A Confessional Documentary is a 1-minute long short film directed by noted film critic Gene Siskel, originally shown alongside his partner Roger Ebert's short film (Citizen Yuppie) on the 1987 broadcast of their annual Holiday Gift Guide program. It was shot entirely on a (then-new) Fisher Price PixelVision PXL2000 low-fidelity camcorder in monochrome on compact audio cassette, inspiring Richard Linklater to utilize the same technique in his 1991 feature SLACKER. The film recontextualizes the image of Roger Ebert's face to provide some humorous jabs at the nature of film criticism.
