The best Gavin Muir’s drama movies

England, 1763. After being convicted of a crime, the young and beautiful Abigail Hale agrees, to escape the gallows, to serve fourteen years as a slave in the colony of Virginia, whose inhabitants begin to hear and fear the sinister song of the threatening drums of war that resound in the wild Ohio valley.

The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.

Susan travels with her father to England for a vacation. Invited to a society ball, Susan meets Sir John Ashwood and marries him after a whirlwind romance. However, American Susan never quite adjusts to life as a new member of the British gentry. Upon the outbreak of World War I, Ashwood is sent to the trenches and never returns. When her son goes off to fight in World War II, Susan fears the same tragic fate may befall him too.

As the Japanese sweep through the East Indies during World War II, Dr. Wassell is determined to escape from Java with some crewmen of the cruiser Marblehead. Based on a true story of how Dr. Wassell saved a dozen or so wounded sailors who were left behind when able bodied men were evacuated to Australia.

A Victorian-era drama about a beautiful young woman with a shady past.

An ex-gambler helps a beautiful widow, and becomes involved with a murder, secret agents, and saboteurs.

Neale and Pedro fly cargo between Chungking and Calcutta. When their buddy Bill is murdered they investigate. Neale meets Bill's fiancée Virginia and becomes suspicious of a deeper plot while also falling for her charms.

Sister Mary presides over a convent where a convicted murderess, who is being escorted to Death Row, is stranded by bad weather. She is slowly becoming convinced that Valerie is innocent so Sister Mary sets about to clear the girl and bring the real killer to justice.

After suffering a head injury during the Blitz, John Loder, a theatre actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.

When Ivy, an Edwardian belle, begins to like Miles, a wealthy gentleman, she is unsure of what to do with her husband, Jervis, and her lover, Dr. Roger. She then hatches a plan to get rid of them both.

Two men (Victor McLaglen, George Macready) botch the kidnapping of a warden's daughter (Fay Spain), then plot to ransom Abraham Lincoln's corpse.

A doctor tries to rescue a young innocent from Nazi agents.

Norfolk, England, 1770. The nephew of an innkeeper and the son of a reverend maintain a very close friendship until, after living a great adventure, they must separate their paths. The former will head his footsteps to London and bound his destiny to Lloyd's, a thriving insurance company; the latter will eventually become one of the greatest heroes in the history of the British Empire.

When allied troops liberate a small battle-scarred Belgium town in 1944 the American and British commanders do all they can to help the war-weary people back on their feet. There are mental and physical wounds to heal, fields to plough, the church to rebuild. But a top Nazi, knowing the War is lost, has infiltrated the town and is fostering dissent and disunity.

The Merry Monahans is one of the higher-budgeted Universal musicals of the 1940s, even though the storyline is strictly grade-B material. During the first two decades of the 20th century the film concerns a family vaudeville troupe headed by patriarch Pete Monahan (Jack Oakie). Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy (Donald O'Connor) and Patsy (Peggy Ryan) love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale. Producer-scripters Michael Fessier and Ernest Pagano, whose other works include such offbeat comedies as San Diego I Love You, Frontier Gal and That's the Spirit, manage to keep the proceedings relatively cliché-free, though it's an uphill climb.