The best Gary Farmer’s crime movies
If you love cinema, you will share this ranking of the best Gary Farmer’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Gary Farmer.
Police Academy
6.7/10
New rules enforced by the Lady Mayoress mean that sex, weight, height and intelligence need no longer be a factor for joining the Police Force. This opens the floodgates for all and sundry to enter the Police Academy, much to the chagrin of the instructors. Not everyone is there through choice, though. Social misfit Mahoney has been forced to sign up as the only alternative to a jail sentence and it doesn't take long before he falls foul of the boorish Lieutenant Harris. But before long, Mahoney realises that he is enjoying being a police cadet and decides he wants to stay... while Harris decides he wants Mahoney out!
The Score
6.8/10
An aging thief hopes to retire and live off his ill-gotten wealth when a young kid convinces him into doing one last heist.
Adaptation.
7.7/10
Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.
Ghost Dog: The Way of the Samurai
7.5/10
An African-American Mafia hit man who models himself after the samurai of old finds himself targeted for death by the mob. Jarmusch's spiritual gangster film tells the story of an inner-city hit man (Whitaker) who lives on a rooftop, training himself as a samurai in the strictest sense. He communicates primarily by carrier pigeon, while remaining loyal to a gangster (Tormey) who once saved his life.
The Believers
6.1/10
Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.
