The best Gary Cooper’s western movies on Apple iTunes

Gary Cooper

Gary Cooper

07/05/1901- 13/05/1961
Today we present the best Gary Cooper’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Gary Cooper’s movies.

High Noon

High Noon
8/10
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

Vera Cruz

Vera Cruz
7/10
After the American Civil War, mercenaries travel to Mexico to fight in their revolution for money. The former soldier and gentleman Benjamin Trane meets the gunman and killer Joe Erin and his men, and together they are hired by the Emperor Maximillian and the Marquis Henri de Labordere to escort the Countess Marie Duvarre to the harbor of Vera Cruz.

Friendly Persuasion

Friendly Persuasion
7.3/10
The story of a family of Quakers in Indiana in 1862. Their religious sect is strongly opposed to violence and war. It's not easy for them to meet the rules of their religion in everyday life but when Southern troops pass the area they are in real trouble. Should they fight, despite their peaceful attitude?

Man of the West

Man of the West
7.1/10
Heading east to Fort Worth to hire a schoolteacher for his frontier town home, Link Jones is stranded with singer Billie Ellis and gambler Sam Beasley when their train is held up. For shelter, Jones leads them to his nearby former home, where he was brought up an outlaw. Finding the gang still living in the shack, Jones pretends to be ready to return to a life crime.

Springfield Rifle

Springfield Rifle
6.6/10
  • Genre: WarWestern
  • Release: 22/10/1952
  • Character: Maj. Alex 'Lex' Kearney
Major Lex Kearney, dishonourably discharged from the army for cowardice in battle, volunteers to go undercover to try to prevent raids against shipments of horses desperately needed for the Union war effort. Falling in with the gang of jayhawkers and Confederate soldiers who have been conducting the raids, he gradually gains their trust and is put in a position where he can discover who has been giving them secret information revealing the routes of the horse shipments.

Alias Jesse James

Alias Jesse James
6.4/10
  • Genre: ComedyWestern
  • Release: 20/03/1959
  • Character: Cowboy (uncredited)
Insurance salesman Milford Farnsworth sells a man a life policy only to discover that the man in question is the outlaw Jesse James. Milford is sent to buy back the policy, but is robbed by Jesse. And when Jesse learns that Milford's boss is on the way out with more cash, he plans to rob him too and have Milford get killed in the robbery while dressed as Jesse, and collect on the policy.

They Came to Cordura

They Came to Cordura
6.4/10
  • Genre: Western
  • Release: 01/06/1959
  • Character: Major Thomas Thorn
An army major, himself guilty of cowardice, is asked to recommended soldiers for the Congressional Medal of Honor during the Mexican Border Incursion of 1916.

Saratoga Trunk

Saratoga Trunk
6.3/10
An opportunistic Texas gambler and the exiled Creole daughter of an aristocratic family join forces to achieve justice from the society that has ostracized them.

Dallas

Dallas
6.2/10
  • Genre: ActionWestern
  • Release: 30/12/1950
  • Character: Blayde Hollister
Land, a family, a future. They're "dreams, fried up, short order" for Blayde Hollister (Gary Cooper). Rightly or wrongly, this ex-Confederate from Georgia has waged his own war to settle past injustices. Now he's a wanted man. And he can feel the law closing in on him. Posing as a Boston dandy, he comes to the boom town with a gun and a plan: to smoke out the notorious Marlow brothers (including Steve Cochran and Raymond Massey), then give 'em a whiff of gunsmoke. Director Stuart Heisler (Along Came Jones) keeps the pace flowing like the local saloon's liquor. Max Steiner's score gallops like a hell-for-leather posse and screenwriter John Twist fires scene after scene with lines like "you'll get your pockets picked in a graveyard". Dallas, here we come!

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