The best Gaëtan Vettier’s movies

Jean-Christophe lives with his mother, an English prostitute, in Paris. He dreams of becoming a model. Over the course of a day, he endures a series of abusive encounters that will change him forever. He goes from innocence to experience as he, and his dreams, are destroyed by those around him. The violence of the film is accentuated by the use of BDSM, Performance Art and Dance.

A young gay boy, from his birth to his teenage years, in which he experiments his sexuality and his own boundaries, to the day he finally meets his father. In three acts: Act I — L'Annonciation or The Conception of a Little Gay Boy (2011); Act II — Little Gay Boy, ChrisT is Dead (2012); and Act III — Holy Thursday (The Last Supper) (2013).

Boys On Film presents the tenth volume in the world's most successful short film series. All boundaries will be broken as Boys On Film X promises to take it further than ever before, showcasing eight of the most sexy, unique and brilliant new short films, including: Jacob Brown's "Blinders" starring Nathaniel Brown, Byrdie Bell, and Luke Worrall; Fabio Youniss's "A Stable For Disabled Horses" starring Daniel Swan and Daniel Simonsen; Antony Hickling and Amaury Grisel's "Little Gay Boy, ChrisT Is Dead" starring Gaëtan Vettier; Till Kleinert's "Boys Village" starring Benjamin Thorne and Andrew McQueen; Lukas Dhont's "Headlong" starring Jelle Florizoone and Thomas Coumans; Evan Roberts's "Yeah Kowalski!" starring Cameron Wofford and Conor Donnelly; William Feroldi's "Inflatable Swamp" starring Francis Beraud and Paul Huntley-Thomas; and Dominic Haxton's "Teens Like Phil" starring Adam Donovan and Jake Robbins.

Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience are presented as a metaphor that goes beyond the personal and into a deeper consideration of life’s cycles, ultimately becoming a reflection on life, death and rebirth. Opening with a personal poem and accompanied by fragmented images, the film plunge into Sade’s universe in “120 Days of Sodom” and charts the descent into one’s own, personal hell, revealing the hidden face of society.